This book examines the post-9/11 African American novels, developing a new critical discourse on everyday discursive practices of whiteness.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
E. Lâle Demirtürk is professor of American literature in the Department of American Culture and Literature at Bilkent University.
Inhaltsangabe
Introduction - The 21st Century and the Invention of "Post-Racial(ized)" Blackness: Discrepant Engagements in the African American "Neo-Urban" Novel Chapter One - The Contemporary African American Novel as Strategic Intervention in Post-9/11: Re-inscriptions of Emmett Till by Olympia Vernon, Daniel Black and Bernice L. McFadden Chapter Two - The "Politics of Small Things" as Transformative Change: Living "Thought in Action" in Walter Mosley's The Right Mistake Chapter Three - Hybrid Spatialities in 'Gentrified' Discursive Terrain: Undoing the Walls of Whitely Modes of Being in Nathan McCall's Them Chapter Four - Navigating Interiority in the Interstices of 'Black(Police)Man' as Resistance: Transformative Politics of Mourning in Marita Golden's After Chapter Five - (Dis)Articulations of Racial Scripts in the Black Performative: Savage Junctures of (Neo)Colonial Whiteness inWalter Mosley's The Man in my Basement Afterword - Transgressive Performativity of Blackness as Blueprint for Change: Deconstructing the Everyday Whiteness of Postraciality
Introduction - The 21st Century and the Invention of "Post-Racial(ized)" Blackness: Discrepant Engagements in the African American "Neo-Urban" Novel Chapter One - The Contemporary African American Novel as Strategic Intervention in Post-9/11: Re-inscriptions of Emmett Till by Olympia Vernon, Daniel Black and Bernice L. McFadden Chapter Two - The "Politics of Small Things" as Transformative Change: Living "Thought in Action" in Walter Mosley's The Right Mistake Chapter Three - Hybrid Spatialities in 'Gentrified' Discursive Terrain: Undoing the Walls of Whitely Modes of Being in Nathan McCall's Them Chapter Four - Navigating Interiority in the Interstices of 'Black(Police)Man' as Resistance: Transformative Politics of Mourning in Marita Golden's After Chapter Five - (Dis)Articulations of Racial Scripts in the Black Performative: Savage Junctures of (Neo)Colonial Whiteness inWalter Mosley's The Man in my Basement Afterword - Transgressive Performativity of Blackness as Blueprint for Change: Deconstructing the Everyday Whiteness of Postraciality
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