Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformation of modern Japanese literature, language, and culture.
Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformation of modern Japanese literature, language, and culture.
Produktdetails
Produktdetails
Studies of the Weatherhead East Asian Institute, Columbia University
Acknowledgments A Note on Romanization and Translation Introduction: The World Made Type Part I: The Making of a Modern Media Ecology 1. Pictures and Voices from a Paper Empire 2. Iwanami Shoten and the Enterprise of Eternity 3. The Topography of Typography: Bibliophiles and Used Books in the Print City Part II: Prose, Language, and Politics in the Type Era 4. New Age Sensations: Yokomitsu Riichi and the Contours of Literary Discourse 5. Brave New Words: Orthographic Reform, Romanization, and Esperantism 6. The Medium Is the Masses: Print Capitalism and the Prewar Leftist Movement Conclusion: Ends, Echoes, and Inversions Notes Selected Bibliography Index
Acknowledgments A Note on Romanization and Translation Introduction: The World Made Type Part I: The Making of a Modern Media Ecology 1. Pictures and Voices from a Paper Empire 2. Iwanami Shoten and the Enterprise of Eternity 3. The Topography of Typography: Bibliophiles and Used Books in the Print City Part II: Prose, Language, and Politics in the Type Era 4. New Age Sensations: Yokomitsu Riichi and the Contours of Literary Discourse 5. Brave New Words: Orthographic Reform, Romanization, and Esperantism 6. The Medium Is the Masses: Print Capitalism and the Prewar Leftist Movement Conclusion: Ends, Echoes, and Inversions Notes Selected Bibliography Index
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