Heather Clark

The Ulster Renaissance

Poetry in Belfast 1962-1972

• Gebundenes Buch

Produktbeschreibung

This is the first full-length study of the extraordinary period of intense poetic activity in Belfast known as the Ulster Renaissance - a time when young Northern Irish poets such as Seamus Heaney, Derek Mahon, Michael Longley, James Simmons, and Paul Muldoon began crafting their art, and tuning their voices through each other. Drawing extensively upon new archival material, as well as personal interviews and correspondence, The Ulster Renaissance argues that these poets'
friendships and rivalries were crucial to their autonomous artistic development. The book also sheds new light on the idea of a collaborative Belfast coterie - often treated derisively by critics - and shows that the poets frequently engaged in efforts to promote a cohesive 'Northern' literary community,
distinct from that which existed in London and Dublin. It suggests that it was this cohesion - at turns inclusive and confining - which ultimately challenged the Belfast poets to find their individual voices.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 256
• Erscheinungstermin: 1. Juni 2006
• Englisch
• Abmessung: 217mm x 148mm x 21mm
• Gewicht: 435g
• ISBN-13: 9780199287314
• ISBN-10: 0199287317
• Artikelnr.: 20812860

Autorenporträt

Heather Clark was educated at Harvard, Trinity College Dublin, and Lincoln College, Oxford. She currently lives in Cambridge, Massachusetts, and is Assistant Professor of Literature at Marlboro College. She has written for Let's Go Travel Guides in Ireland, and has published many reviews in the Times Literary Supplement, Thumbscrew, and PN Review, in addition to academic articles in the Cambridge Quarterly, Eire-Ireland, and the Journal of Modern Literature. She has also published poetry and fiction in the May Anthologies.

Inhaltsangabe

1: Beginnings
2: The Belfast Group
3: Renaissance
4: 'Genuine Accents'
5: 'MacSimmittoon'
6: Separate Selves

Rezensionen

...a pioneering and intelligently nuanced study that has dug deep into the archives, and which recovers a remarkable flowering of poetic talent from the journalistic vagaries of the recent literary past. The Cambridge Quarterly, Volume 36, Number 4