This book is about description and image in Renaissance poetry, but focuses not on descriptions that present a vivid image to the reader's mind but on those that seem to avoid doing so. Against the ancient and still active tradition that poetry is painting in words, it argues that poetry is most poetic when its goals are not visual.
This book is about description and image in Renaissance poetry, but focuses not on descriptions that present a vivid image to the reader's mind but on those that seem to avoid doing so. Against the ancient and still active tradition that poetry is painting in words, it argues that poetry is most poetic when its goals are not visual.
Acknowledgments Introduction Chapter 1: Spent Store: Colin Clout's Material Chapter 2: Indescribable Landscape: The Bower of Bliss Chapter 3: That Which Was Nothing: Donne's Pictures Chapter 4: Forms of Battle: Milton's Epics Chapter 5: To See No Face: Milton's Last Sonnet After-image About the Author
Acknowledgments Introduction Chapter 1: Spent Store: Colin Clout's Material Chapter 2: Indescribable Landscape: The Bower of Bliss Chapter 3: That Which Was Nothing: Donne's Pictures Chapter 4: Forms of Battle: Milton's Epics Chapter 5: To See No Face: Milton's Last Sonnet After-image About the Author
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