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The present work is an attempt to analyze the social representations that are over-impressed in the Chadian novel. It unveils the apriorist ideas that furnish the social, moral and political universe of Chad, the country of Toumaï, on a daily basis. The reductive social representations densely evoked in Le Souffle de l'harmattan and Al istifakh ou l'idylle de mes amis, by Chadian authors Baba Moustapha and Marie-Christine Koundja respectively, revisit the dynamics of social cohesion and the ideology of living together, cardinal virtues of an ideal society. This set of mostly erroneous thoughts…mehr

Produktbeschreibung
The present work is an attempt to analyze the social representations that are over-impressed in the Chadian novel. It unveils the apriorist ideas that furnish the social, moral and political universe of Chad, the country of Toumaï, on a daily basis. The reductive social representations densely evoked in Le Souffle de l'harmattan and Al istifakh ou l'idylle de mes amis, by Chadian authors Baba Moustapha and Marie-Christine Koundja respectively, revisit the dynamics of social cohesion and the ideology of living together, cardinal virtues of an ideal society. This set of mostly erroneous thoughts is a challenge held by Chadian writers to launch a call for national unity. Through a stylization effect, these two (2) writers invite the reader to discover self-esteem, the Other, and to overcome differences on all fronts.
Autorenporträt
Moursal MAKAYE est né à Mongo, région du Guéra, Tchad, dans une famille de 5 filles. Il fait l¿école Kabalaye et Collège Sacré-C¿ur de N¿Djaména. Après ses études au Lycée Félix-Éboué et à l¿Université de N¿Djaména, il les poursuit au Cameroun, à l¿Université de Ngaoundéré. A ce jour: Enseignant-chercheur et Professeur à l¿Université de N¿Djaména.