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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for…mehr

Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Autorenporträt
John P. Marquand (November 10, 1893 - July 16, 1960) was an American writer renowned for his keen observations of upper-class society. He initially gained fame for his Mr. Moto spy stories but later achieved critical acclaim for his satirical novels, winning the Pulitzer Prize for Fiction in 1938 for ""The Late George Apley."" Marquand's works often explore the restrictive nature of life among the elite and those aspiring to join them, balancing respect and satire in his portrayals. By the mid-1930s, Marquand was a prolific writer for magazines like the Saturday Evening Post, producing short stories that sometimes reflected historical themes. His early novels, including ""The Unspeakable Gentleman"" and ""The Black Cargo,"" were categorized as "costume fiction," a genre he later abandoned. In the late 1930s, he focused on novels addressing class dilemmas, particularly in New England. Notable works include ""Wickford Point"" (1939), ""H.M. Pulham, Esquire"" (1941), and ""Point of No Return"" (1949).