This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed…mehr
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
American author Frederick Schiller Faust (May 29, 1892 - May 12, 1944) is best known for his Western novels written under the pen name Max Brand. For a collection of pulp fiction stories, he (as Max Brand) also invented the well-known fictional character of young medical intern Dr. James Kildare. Over the next several decades, his Kildare character appeared in a variety of other media, including a number of American theatrical films by Paramount Pictures and Metro-Goldwyn-Mayer (MGM), a radio program, two television programs, and comic books. George Owen Baxter, Evan Evans, George Evans, Peter Dawson, David Manning, John Frederick, Peter Morland, George Challis, Peter Ward, Frederick Faust, and Frederick Frost are some of the other aliases used by Faust. For Argosy magazine, Faust wrote the "Tizzo the Firebrand" series under the pen name George Challis. Taking place in Renaissance Italy, the Tizzo saga was a collection of historical swashbuckler tales starring the title hero. When Faust, Frank Gruber, and coauthor Steve Fisher were at Warner Brothers at the beginning of 1944, they frequently engaged in idle talk in the afternoons with Colonel Nee, a technical advisor dispatched from Washington
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