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This book reconstructs Constantinople's collection of antiquities from its foundation to its fall.
From its foundation in the fourth century to its fall to the Ottoman Turks in the fifteenth, the city of Constantinople boasted a collection of antiquities unrivalled by any city of the medieval world. The Urban Image of Late Antique Constantinople reconstructs the collection from the time that the city was founded by Constantine the Great through the sixth-century reign of the emperor Justinian. Drawing on medieval literary sources and, to a lesser extent, graphic and archaeological material, it identifies and describes the antiquities that were known to have stood in the city's public spaces. Individual displays of statues are analysed as well as examined in conjunction with one another against the city's topographical setting, in an effort to understand how ancient sculpture was used to create a distinct historical identity for Constantinople.
Review quote:
'Sarah Bassett's study of the reuse of ancient sculpture in early Constantinople offers a unique approach to the creation of a civic identity in the Late Antique period, and an important reassessment of the foundation of the Byzantine capital.' Cornucopia
'This is an imformative and highly readable work whose title conceals its relevance to a far broader readership than specialists in late antiquity (?)0; an extremely useful volume which should appeal to a wide range of readers, both because of the nature of its contents and because of the highly accessible style in which she writes throughout.' Classics Ireland
Table of contents:
List of illustrations; Periodicals: abbreviations; Primary sources; Abbreviations; Preface; Introduction; 1. The shape of the city; 2. Creating the collection; 3. The Constantinian collections; 4. Theodosian Constantinople; 5. The Lausos collection; 6. Justinian and antiquity; The catalogue; Notes; Select bibliography; Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
From its foundation in the fourth century to its fall to the Ottoman Turks in the fifteenth, the city of Constantinople boasted a collection of antiquities unrivalled by any city of the medieval world. The Urban Image of Late Antique Constantinople reconstructs the collection from the time that the city was founded by Constantine the Great through the sixth-century reign of the emperor Justinian. Drawing on medieval literary sources and, to a lesser extent, graphic and archaeological material, it identifies and describes the antiquities that were known to have stood in the city's public spaces. Individual displays of statues are analysed as well as examined in conjunction with one another against the city's topographical setting, in an effort to understand how ancient sculpture was used to create a distinct historical identity for Constantinople.
Review quote:
'Sarah Bassett's study of the reuse of ancient sculpture in early Constantinople offers a unique approach to the creation of a civic identity in the Late Antique period, and an important reassessment of the foundation of the Byzantine capital.' Cornucopia
'This is an imformative and highly readable work whose title conceals its relevance to a far broader readership than specialists in late antiquity (?)0; an extremely useful volume which should appeal to a wide range of readers, both because of the nature of its contents and because of the highly accessible style in which she writes throughout.' Classics Ireland
Table of contents:
List of illustrations; Periodicals: abbreviations; Primary sources; Abbreviations; Preface; Introduction; 1. The shape of the city; 2. Creating the collection; 3. The Constantinian collections; 4. Theodosian Constantinople; 5. The Lausos collection; 6. Justinian and antiquity; The catalogue; Notes; Select bibliography; Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.