Jonathan Harris

The Utopian Globalists

Artists of Worldwide Revolution, 1919 - 2009

• Gebundenes Buch

Produktbeschreibung

An innovative history and critical account mapping the ways artists and their works have engaged with, and offered commentary on, modern spectacle in both capitalist and socialist modernism over the past ninety years.

Focuses on artists whose work expresses the concept of revolutionary social transformation
Provides a strong historical narrative that adds structure and clarity
Features a cogent and innovative critique of contemporary art and institutions
Covers 100 years of art from Vladimir Tatlin's constructivist 'Monument to the Third International', to Picasso's late 1940s commitment to Communism, to the Unilever Series sponsored Large Artworks installed at London's Tate Modern since 2000.
Includes the only substantial account in print of John Lennon and Yoko Ono's 1969 Montreal 'Bed-in'
Offers an accessible description and interpretation of Debord's 'society of the spectacle' theory

Produktdetails

• Verlag: Wiley & Sons
• 1. Auflage
• Seitenzahl: 360
• Erscheinungstermin: 25. Februar 2013
• Englisch
• Abmessung: 231mm x 157mm x 23mm
• Gewicht: 660g
• ISBN-13: 9781405193016
• ISBN-10: 1405193018
• Artikelnr.: 36553465

Autorenporträt

Jonathan Harris is Professor in Global Art and Design Studies at Winchester School of Art, University of Southampton, UK. His work has consistently explored questions of state power, culture, art, ideology and social order, particularly in Europe and America over the past century. His The New Art History: A Critical Introduction (2001) remains a classic text, and he has published 17 books as editor, author and co-author, including Globalization and Contemporary Art (Wiley-Blackwell, 2011).

Inhaltsangabe

List of Illustrations ix Acknowledgements xi Introduction: The World in a
Work of Art 1 Global Order, Social Order, Visual Order 2 'Globalization'
and 'Globalism' in Th eory and Practice 10 Capitalism and Communism as
(Failed) Utopian Totalities 16 Ideal and Real Collectivities 23 1
Spectacle, Social Transformation and Utopian Globalist Art 34 Spectacular
Cold War Communisms and Capitalisms 35 Alienation/Separation and State
Power 44 System, Totality, Representation and the 'Utopian Imaginary' 51
The 'Conquest of Space', Spectacular Art and Globalist Vision 57 2 The Line
of Liberation: Tatlin's Tower and the Communist Construction of Global
Revolution 76 Revolutionary Rupture, Structure and Sense 77 Space and
Symbolism 85 Beyond Order 95 Collectivity and Necessity 103 3 Picasso for
the Proletariat: 'The Most Famous Communist in the World '118 Commitment to
the Cause, Right or Wrong 119 Picasso as Screen 129 Image, Persona,
Mediations 139 Picasso ' s Use and Exchange Value 147 4 Some Kind of Druid
Dude: Joseph Beuys's Liturgies of Freedom 165 Tatlin for the Television
Generation 166 Th e Beuysian Spectacular Persona 171 Th e Spirit of the
Earth 179 Process, Performance, Metabolic Transformation 185 Political
Actions 191 5 'Bed-in' as Gesamtkunstwerk: A Typical Morning in the Quest
for World Peace 211 Sugar, Sugar 212 A Sequestered Zone of Peace 217 Just
My Imagination 225 A Man from Liverpool and a Woman from Tokyo 229 6 Mother
Nature on the Run: Austerity Globalist Depletions in the 1970s 246
Transmission, Replacement, Negation, Deletion 247 West/East-North/South 253
Banality as Tactic 260 Austerity Globalism's Body-Politic 265 'Development'
Exposed 272 7 Nomadic Globalism: Scenographica in Christo and
Jeanne-Claude's Wrapped Reichstag 287 Th e Negation Negated 288 Art,
Business, Diplomacy 292 The Materials of Spectacle 296 Form as Sedimented
Content 299 Seductive Acts of Occlusion 306 Conclusion: From the Spiral to
the Turbine: A Global Warning 316 Large Rooms Full of Wonderful Curiosities
317 The Void of Possibilities 320 Disappeared 323 Index 333

Rezensionen

"Though theoretically sophisticated, this volume is accessible and engaging. Summing Up: Recommended. Upper-level undergraduates through professionals/practitioners." (Choice, 1 September 2013)