The Valley Loses Its Atmosphere - de Rokha, Winett
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The Valley Loses Its Atmosphere is the final collection by Chilean poet Winétt de Rokha. A book of 48 poems written during a journey across Latin America, it is a canto americano, an epic poem that sings of a united América through its land and peoples. The poems give attention to the land and social conditions, mentioning the "banana plantations, rubber plantations, farmlands that produce bloodsuckers", the indigenous peoples such as the jivaro of Peru and Ecuador, local fauna like wolves and wasps, local flora like the clavel del aire or copihue, and popular protests like the Baltimore…mehr

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Produktbeschreibung
The Valley Loses Its Atmosphere is the final collection by Chilean poet Winétt de Rokha. A book of 48 poems written during a journey across Latin America, it is a canto americano, an epic poem that sings of a united América through its land and peoples. The poems give attention to the land and social conditions, mentioning the "banana plantations, rubber plantations, farmlands that produce bloodsuckers", the indigenous peoples such as the jivaro of Peru and Ecuador, local fauna like wolves and wasps, local flora like the clavel del aire or copihue, and popular protests like the Baltimore Workers' Congress. Winétt proposes a new kind of language and a new kind of person, within new economic structures. She does so through the performance of a neobaroque rhetoric that mirrors the América she finds, with a mottled variety to it, a "convulsive labyrinth, uneven, baroque, communicating", with "jumbled qualities". One feels Winétt's pleasure in making her way across an América whose territories had already been given a hundred names by indigenous peoples before Columbus arrived, as she makes visits with her husband Pablo on behalf of a Communist Party that in theory stands for the friendship of peoples and the pursuit of economic and social justice. The world, shaken by recent and ongoing civil and world wars as Winétt and Pablo travelled, seemed to vibrate with imminent catastrophe and change. Winétt's introductory poem announces her intention to create a "song of gold dust" and a "strophe of the day's necessity". "The Valley Loses Its Atmosphere is incorruptibly American," she proclaims. As the critic Javier Bello puts it: "The Valley Loses Its Atmosphere is a book that will require many readings to give an account of its complexity and restore it to the place I believe it should have held-and should still hold - in contemporary Chilean poetry, as one of its most intense and particular moments."
Autorenporträt
The Chilean poet Luisa Victoria Anabalón Sanderson (1894-1951) published her mid- and late-career work under the name Winétt de Rokha. Born to a patrician Catholic family in Santiago, in 1916 she married the poet and communist Pablo de Rokha - a modernist firebrand who was to become one of the most revered figures in twentieth century Chilean poetry. Together they concocted her nom de plume, Winétt. ("De Rokha" was already an invented name: Pablo's name at birth had been Carlos Díaz Loyola, but as a schoolboy he became "Pablo made of Rock.") The couple had nine children, seven of whom lived to adulthood (among them the poet Carlos and the painters José and Lukó). During these busy years, Winétt de Rokha published four significant books: Formas del sueño (1927), Cantoral (1936), Oniromancia (1936), and El valle pierde su atmósfera (1949). Chile, even more socially polarised in 1930 than it is today, was hit hard by the Great Depression; its economy contracted to a greater degree than that of any other nation. In 1939, Winétt and Pablo together founded the communist and anti-fascist literary journal - and publishing house - Multitud (whose slogan was, "For bread, peace, and global freedom"). In that decade, Winétt would look back to her childhood relationship with maternal grandfather Domingo Sanderson, an anglophile classicist with Scottish (or perhaps Irish-Scottish) roots, as being pivotal in her turn away from the moneyed, Catholic establishment of Chile's capital city. The early twenty-first century has seen a renewal of literary and scholarly interest in Winétt de Rokha's poetic achievement quite independent of her husband's fame. (Mark Smith)