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When word gets out that former Boston homicide detective Reid Sylver can talk to the dead, the FBI solicits her help on a serial murder case. Reid has only one condition: the FBI must let her run the investigation with Detective London Gold and the rest of her team by her side. London's resilience is put to the test when she's abducted by the killer they're hunting. The one thing she has that his other victims didn't is a close-knit team of detectives who are willing to color outside the lines of the law to find her. Pressure mounts as Reid hits one dead end after another. The clock's running…mehr

Produktbeschreibung
When word gets out that former Boston homicide detective Reid Sylver can talk to the dead, the FBI solicits her help on a serial murder case. Reid has only one condition: the FBI must let her run the investigation with Detective London Gold and the rest of her team by her side. London's resilience is put to the test when she's abducted by the killer they're hunting. The one thing she has that his other victims didn't is a close-knit team of detectives who are willing to color outside the lines of the law to find her. Pressure mounts as Reid hits one dead end after another. The clock's running out, and her team's fresh out of ideas. There's one tool left in Reid's investigative arsenal. But using it scares her almost as much as losing the woman she loves. Book 2 in the Sylver and Gold series.
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Autorenporträt
Michelle lives just outside Boston, Massachusetts, with her two young sons, Levi and Jett, and the ghost of her dog, Chloe, who she still shares popcorn with every night by tossing it on the floor in front of the TV-just like she used to do when Chloe was alive. Oddly enough, the popcorn lingers on the rug until Michelle picks it up because, well, in case you didn't know...ghosts don't eat popcorn. Michelle wrote her first book at age six, entitled "Jack and the Orange." A real page- turner. She read fifty-five novels by Dean Koontz in one year but doesn't have much time for reading anymore. She's too busy writing thrillers and raising two small monsters who are masquerading as human children. She hashes out the scenes of her books during long cross-country runs and somehow manages to find her way back home, which is a pretty amazing feat because she has no sense of direction. What. So. Ever.