21,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

"What is a novel? What is a revolution? Is there anything new under the sun? In these essays, poet and critic Cam Scott contemplates the novel in various guises--as culture and technology; as labyrinth, series, list, and sect. Far from an academic typology, these discrete and overlapping studies are excerpted from the activity of a politically interested readership, for whom literature makes real demands of the one world that it describes. Includes writings on Dennis Cooper, Guy Hocquenghem, Dionne Brand, Gail Scott, Robert Glèuck, Kevin Killian, Renata Adler, Renee Gladman, Ted Rees, Lyn Hejinian, Harryette Mullen, and Jordy Rosenberg."--…mehr

Produktbeschreibung
"What is a novel? What is a revolution? Is there anything new under the sun? In these essays, poet and critic Cam Scott contemplates the novel in various guises--as culture and technology; as labyrinth, series, list, and sect. Far from an academic typology, these discrete and overlapping studies are excerpted from the activity of a politically interested readership, for whom literature makes real demands of the one world that it describes. Includes writings on Dennis Cooper, Guy Hocquenghem, Dionne Brand, Gail Scott, Robert Glèuck, Kevin Killian, Renata Adler, Renee Gladman, Ted Rees, Lyn Hejinian, Harryette Mullen, and Jordy Rosenberg."--
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Cam Scott is a poet, critic, and non-musician from Winnipeg, Manitoba, Treaty One Territory. His poetry collection, ROMANS/SNOWMARE (ARP), is both a daybook of anti-capitalist ideation and a homoerotic reinvention of the prairie long poem as it resonates with a love of language and experiment. A chapbook, WRESTLERS, was published by Greying Ghost in 2017. His most recent musical projects are Swolowes and Cold-catcher, which span free improvisation and field recording as well as electro-acoustic genres. As a critic, his independent research is focused on the politics of twentieth-century literary avant-gardes and their executors. He divides his time between the prairies and Brooklyn, New York.