The Very Marrow of Our Bones - Higdon, Christine
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Defiance, faith, and triumph in a heartrending novel about daughters and mothers On a miserable November day in 1967, two women disappear from a working-class town on the Fraser River. The community is thrown into panic, with talk of drifters and murderous husbands. But no one can find a trace of Bette Parsons or Alice McFee. Even the egg seller, Doris Tenpenny, a mute woman to whom everyone tells their secrets, hears nothing. Ten-year-old Lulu Parsons discovers something, though: a milk-stained note her mother, Bette, left for her father on the kitchen table. Wally, it says, I will not live…mehr

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Produktbeschreibung
Defiance, faith, and triumph in a heartrending novel about daughters and mothers On a miserable November day in 1967, two women disappear from a working-class town on the Fraser River. The community is thrown into panic, with talk of drifters and murderous husbands. But no one can find a trace of Bette Parsons or Alice McFee. Even the egg seller, Doris Tenpenny, a mute woman to whom everyone tells their secrets, hears nothing. Ten-year-old Lulu Parsons discovers something, though: a milk-stained note her mother, Bette, left for her father on the kitchen table. Wally, it says, I will not live in a tarpaper shack for the rest of my life . . . Lulu tells no one, and months later she buries the note in the woods. At the age of ten, she starts running -- and forgetting -- lurching through her unraveled life, using the safety of solitude and detachment until, at fifty, she learns that she is not the only one who carries a secret. Hopeful, lyrical, comedic, and intriguingly and lovingly told, The Very Marrow of Our Bones explores the isolated landscapes and thorny attachments bred by childhood loss and buried secrets.
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Autorenporträt
Christine Higdon is a writer, editor, and graphic designer. She was shortlisted for the 2011 Marina Nemat Award and for the 2016 CBC Creative Nonfiction Prize. Daughter of a Newfoundlander and a British Columbian, Christine lives in Mimico, Ontario, where she hooks rugs, worries about the bees, and longs for either ocean. This is her first novel.