"Renée Ashley's stunning new book is indeed a 'view from the body,' but it's a 'body named / bone, named brain.' Haunted at times by the dead, by the past, by death itself, Ashley finds her most frequent specter in the self and its disturbances, which few poets since Dickinson have explored so unflinchingly. Language is the means of both exploration and transcendence: words burst into double meanings, invent themselves, and reverse our linguistic expectations, carried throughout by the musical exuberance of consonant and vowel. Taut, resonant, lyrical, edgy, these poems are, as one title has…mehr
"Renée Ashley's stunning new book is indeed a 'view from the body,' but it's a 'body named / bone, named brain.' Haunted at times by the dead, by the past, by death itself, Ashley finds her most frequent specter in the self and its disturbances, which few poets since Dickinson have explored so unflinchingly. Language is the means of both exploration and transcendence: words burst into double meanings, invent themselves, and reverse our linguistic expectations, carried throughout by the musical exuberance of consonant and vowel. Taut, resonant, lyrical, edgy, these poems are, as one title has it, 'Such Threads of Light As Exist in Deep Pools.'"-Martha CollinsHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Renée Ashley is the author of six volumes of poetry: BECAUSE I AM THE SHORE I WANT TO BE THE SEA (Subito Press), Salt (Brittingham Prize in Poetry, Univ. of Wisconsin Press), The Various Reasons of Light (Avocet Press), The Revisionist's Dream (Avocet Press), Basic Heart (X. J. Kennedy Poetry Prize, Texas Review Press), and THE VIEW FROM THE BODY (Black Lawrence Press, 2016), as well as a novel, Someplace Like This (Permanent Press), and two chapbooks, The Museum of Lost Wings and The Verbs of Desiring. A portion of her poem, "First Book of the Moon," is included in a permanent installation by the artist Larry Kirkland in Penn Station, Manhattan, NY. She has served as Assistant Poetry Coordinator for the Geraldine R. Dodge Foundation and as Poetry Editor of The Literary Review. Ashley teaches poetry in the low-residency MFA in Creative Writing and creative nonfiction in the MA in Creative Writing and Literature for Educators programs at Fairleigh Dickinson University. She lives in northern New Jersey with her husband and two dogs.
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