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The Visual Arts in Canada: The Twentieth Century charts the developments in Canadian art from the late-nineteenth century to the present with new essays by the country's leading art historians. The first of its kind ever published, this comprehensive overview embraces painting, sculpture, photography, design, video, and conceptual and cross-disciplinary art as well as studies of art institutions and historiography.

Produktbeschreibung
The Visual Arts in Canada: The Twentieth Century charts the developments in Canadian art from the late-nineteenth century to the present with new essays by the country's leading art historians. The first of its kind ever published, this comprehensive overview embraces painting, sculpture, photography, design, video, and conceptual and cross-disciplinary art as well as studies of art institutions and historiography.
Autorenporträt
Anne Whitelaw is associate professor in the Department of Art History at Concordia University. Her research explores the history of Canadian art institutions in the twentieth century, with a particular focus on exhibition and collecting practices as means of understanding the formation of nationhood and the constitution of taste cultures. Brian Foss is professor of Art History and director of the School for Studies in Art and Culture at Carleton University, having previously taught for many years at Concordia University. He has co-curated exhibitions on the work of Mary Hiester Reid and Edwin Holgate and is the author of War Paint: Art, War, State and Identity in Britain 1939-45. Sandra Paikowsky is a professor in the Art History Department of Concordia University. She is the publisher and managing editor of the Journal of Canadian Art History / Annales d'histoire de l'art canadien. She has also been director/curator of the Concordia Art Gallery. Her recent publications focus on James Wilson Morrice, art in the Maritimes, and John Fox.