Investigates the influence of technology and visual art in the work of Robert Lepage, leading figure on the international stage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ludovic Fouquet is a visual artist, actor, teacher, director, and founder of the multimedia theatre company songes mécaniques (Mechanical Dreams) in Blois, France. After training as an actor and dancer, Fouquet earned his PhD studying Robert Lepage's artistic practice and its relationship to technology. Fouquet edited La trilogie des dragons (The Dragons' Trilogy, L'instant meme, 2005), and developed a photographic monograph of this work. In addition to frequent speaking engagements at French universities, Fouquet contributes regularly to numerous theatre and contemporary art magazines, including Cahiers de Théâtre, JEU, ETC Montréal, and theatre-contemporain.net. Fouquet divides his time between France and Quebec.
Inhaltsangabe
INTRODUCTION Machina PART ONE PUPPET THEATRE AND QUARRY: TWO MODELS AS A HORIZON Theatre of the object A puppet theatre set The Seven Streams of the River Ota The cube The actor as puppet? The shadow and the quarry PART TWO THE HORIZON OF THE IMAGINATION: TECHNOLOGICAL ECHOES The imago First echo: light technology "Theatre beings in a quarry and we light a fire" Creator of shadows Between shadow and light: the mirror Technological experiments Second echo: photography Photography as a reference Photography as an index Photography as a metaphor for the psychic apparatus Third echo: cinema A film narrative A movie set A cinematic gaze Fourth echo: video From the monitor to the movie screen Video and the mirror Video palimpsest Fifth echo: a virtual environment: the ultimate palimpsest? The modeling route The digitization route The palimpsest space Sixth echo: sound technology The issues of amplification Sound technology, or the art of accompaniment Sound technology: a new sort of protagonist PART THREE THE BREACH IN THE HORIZON: ECHOES OF CHAOS Lepage's practice: from resource to system The resource: the heart and focal point of the rehearsal From openness to vertigo: Lepage's approach Intervals and overlaps in phases of work Lepage's stage: a multicultural space Gazing into the unknown Miscegenation The stage: a space for unlikely encounters Orientalism and multimedia: a new baroque? A baroque-dominated reading of the Orient Tension and spatial organization: the ultimate embodiment of the baroque Vertical ambiguity PART FOUR THE HORIZON IN CONCLUSION Appendix 1: Robert Lepage shows mentioned in this book Appendix 2: Chronology of Robert Lepage's creations Bibliography
INTRODUCTION Machina PART ONE PUPPET THEATRE AND QUARRY: TWO MODELS AS A HORIZON Theatre of the object A puppet theatre set The Seven Streams of the River Ota The cube The actor as puppet? The shadow and the quarry PART TWO THE HORIZON OF THE IMAGINATION: TECHNOLOGICAL ECHOES The imago First echo: light technology "Theatre beings in a quarry and we light a fire" Creator of shadows Between shadow and light: the mirror Technological experiments Second echo: photography Photography as a reference Photography as an index Photography as a metaphor for the psychic apparatus Third echo: cinema A film narrative A movie set A cinematic gaze Fourth echo: video From the monitor to the movie screen Video and the mirror Video palimpsest Fifth echo: a virtual environment: the ultimate palimpsest? The modeling route The digitization route The palimpsest space Sixth echo: sound technology The issues of amplification Sound technology, or the art of accompaniment Sound technology: a new sort of protagonist PART THREE THE BREACH IN THE HORIZON: ECHOES OF CHAOS Lepage's practice: from resource to system The resource: the heart and focal point of the rehearsal From openness to vertigo: Lepage's approach Intervals and overlaps in phases of work Lepage's stage: a multicultural space Gazing into the unknown Miscegenation The stage: a space for unlikely encounters Orientalism and multimedia: a new baroque? A baroque-dominated reading of the Orient Tension and spatial organization: the ultimate embodiment of the baroque Vertical ambiguity PART FOUR THE HORIZON IN CONCLUSION Appendix 1: Robert Lepage shows mentioned in this book Appendix 2: Chronology of Robert Lepage's creations Bibliography
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