Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah Stanbury is Monsignor Murray Professor in the Arts and Humanities at the College of the Holy Cross. She is the author of Seeing the Gawain-Poet and coeditor, with Linda Lomperis, of Feminist Approaches to the Body in Medieval Literature, both published by the University of Pennsylvania Press.
Inhaltsangabe
Introduction: Premodern Fetishes FETISH, IDOL, ICON Chapter 1. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk Ymage" Chapter 2. The Despenser Retable and 1381 CHAUCER'S SENTIMENTAL POETIC Chapter 3. Chaucer and Images Chapter 4. Translating Griselda Chapter 5. The Clergeon's Tongue MOVING PICTURES Chapter 6. Nicholas Love's Mirror: Dead Images and the Life of Christ Chapter 7. Arts of Self-Patronage in The Book of Margery Kempe Notes Works Cited Index Acknowledgments
Introduction: Premodern Fetishes FETISH, IDOL, ICON Chapter 1. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk Ymage" Chapter 2. The Despenser Retable and 1381 CHAUCER'S SENTIMENTAL POETIC Chapter 3. Chaucer and Images Chapter 4. Translating Griselda Chapter 5. The Clergeon's Tongue MOVING PICTURES Chapter 6. Nicholas Love's Mirror: Dead Images and the Life of Christ Chapter 7. Arts of Self-Patronage in The Book of Margery Kempe Notes Works Cited Index Acknowledgments
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