The Visual Poetics of Raymond Carver explores the visual dimensions of literary texts by looking at the rich representations of vision, movement and space in Raymond Carver's short fiction. Ayala Amir analyzes Carver's stories using insights borrowed from the critical discourse of the visual arts to reflect upon and challenge traditional issues of narrative study.
The Visual Poetics of Raymond Carver explores the visual dimensions of literary texts by looking at the rich representations of vision, movement and space in Raymond Carver's short fiction. Ayala Amir analyzes Carver's stories using insights borrowed from the critical discourse of the visual arts to reflect upon and challenge traditional issues of narrative study.
Ayala Amir is lecturer in the Department of Comparative Literature at Bar-Ilan University, Israel.
Inhaltsangabe
Chapter 1 Introduction Part 2 Part I. Movement Chapter 3 Chapter One "I don't do motion shots" - Representation of Movement Chapter 4 Chapter Two "Does that have a hidden meaning?" - Dialogue Part 5 Part II. The Eye of the Camera Chapter 6 Chapter Three "Whoever was using this bed" - Voice Chapter 7 Chapter Four "Why do I notice that?" - Vision Part 8 Part III. Seeing and Meaning Chapter 9 Chapter Five Raymond Carver's "Man in a Case" - frame and Character Chapter 10 Chapter Six Singularity or Doubleness- Effet de réel or Symbol? Chapter 11 Conclusion
Chapter 1 Introduction Part 2 Part I. Movement Chapter 3 Chapter One "I don't do motion shots" - Representation of Movement Chapter 4 Chapter Two "Does that have a hidden meaning?" - Dialogue Part 5 Part II. The Eye of the Camera Chapter 6 Chapter Three "Whoever was using this bed" - Voice Chapter 7 Chapter Four "Why do I notice that?" - Vision Part 8 Part III. Seeing and Meaning Chapter 9 Chapter Five Raymond Carver's "Man in a Case" - frame and Character Chapter 10 Chapter Six Singularity or Doubleness- Effet de réel or Symbol? Chapter 11 Conclusion
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