The Voice of Virtue illuminates the musical practices at the heart of the Neostoic movement that spread across French lands during the Wars of Religion in the latter half of the sixteenth century, revealing that virtue--as voiced in these Stoic practices--proves to be both rational and fully invested in the sensory processes of the singing body.
The Voice of Virtue illuminates the musical practices at the heart of the Neostoic movement that spread across French lands during the Wars of Religion in the latter half of the sixteenth century, revealing that virtue--as voiced in these Stoic practices--proves to be both rational and fully invested in the sensory processes of the singing body.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.
Inhaltsangabe
List of Tables, Figures, and Examples List of Web Examples Preface Introduction Chapter 1: Neostoic Remedies Chapter 2: Imprinting Virtue Chapter 3: The Exercise of Harmony Chapter 4: Musical Paradoxes Chapter 5: Sensing Beauty Chapter 6: Sound Judgment Chapter 7: Moral Ordering Chapter 8: Rehearsing Death Conclusion: Suspensions of Desire Appendix Select Bibliography
List of Tables, Figures, and Examples List of Web Examples Preface Introduction Chapter 1: Neostoic Remedies Chapter 2: Imprinting Virtue Chapter 3: The Exercise of Harmony Chapter 4: Musical Paradoxes Chapter 5: Sensing Beauty Chapter 6: Sound Judgment Chapter 7: Moral Ordering Chapter 8: Rehearsing Death Conclusion: Suspensions of Desire Appendix Select Bibliography
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