Maria Stepanova is one of the most powerful and distinctive voices of Russiaâ s first post-Soviet literary generation. The Voice Over brings together two decades of Stepanovaâ s work, showcasing her range, virtuosity, and creative evolution.
Maria Stepanova is one of the most powerful and distinctive voices of Russiaâ s first post-Soviet literary generation. The Voice Over brings together two decades of Stepanovaâ s work, showcasing her range, virtuosity, and creative evolution.
Preface Bibliographic Note Introduction. "Speaking in Voices": On Maria Stepanova's Literary Creation, by Irina Shevelenko Part I: The Here-World A Gypski, a Polsk I, a Jewski, a Russki The North of sleep. Head's in a pillow cradle Ahoy! Beyond the azure's tempest Adieu, until one branched floor higher For you, but the voice of the straitened Muse The Bride The Pilot The morning sun arises in the morning As Danaë, prone in the incarce-chamber It is certainly time to stop Even bluer than the toilet tiles (a birthday on the train) (half an hour on foot) July 3rd, 2004 The Women's Locker Room at "Planet Fitness" Sarah on the Barricades The Desire to Be a Rib Bus Stop: Israelitischer Friedhof Zoo, Woman, Monkey Part II: Displaced Person And a vo-vo-voice arose In the festive sky, impassivable, tinfurled Saturday and Sunday burn like stars In every little park, in every little square Mom-pop didn't know him Mama, what janitor A train rides down entire Russia Ordnance was weeping in the open The A went past, Tram-Traum Well I don't sing Kupitye papirosn The light swells and pulses at the garden gate In the village, in the field, in the forest A deer, a deer stood in that place The last songs are assembling My dear, my little Liberty There he lies in his new bed, a band of paper round his head Don't wait for us, my darling Don't strain your sight Four Operas In Unheard-of Simplicity Displaced Person Part III: Spolia Spolia War of the Beasts and the Animals Today Before Yesterday (excerpt) After the Dead Water Intending to Live At the Door of a Notnew Age Part IV: Over Venerable Graves The Maximum Cost of Living (Marina Tsvetaeva) Conversations in the Realm of the Dead (Lyubov Shaporina) What Alice Found There (Alisa Poret) The Last Hero (Susan Sontag) From That Side: Notes on Sebald Over Venerable Graves Notes
Preface Bibliographic Note Introduction. "Speaking in Voices": On Maria Stepanova's Literary Creation, by Irina Shevelenko Part I: The Here-World A Gypski, a Polsk I, a Jewski, a Russki The North of sleep. Head's in a pillow cradle Ahoy! Beyond the azure's tempest Adieu, until one branched floor higher For you, but the voice of the straitened Muse The Bride The Pilot The morning sun arises in the morning As Danaë, prone in the incarce-chamber It is certainly time to stop Even bluer than the toilet tiles (a birthday on the train) (half an hour on foot) July 3rd, 2004 The Women's Locker Room at "Planet Fitness" Sarah on the Barricades The Desire to Be a Rib Bus Stop: Israelitischer Friedhof Zoo, Woman, Monkey Part II: Displaced Person And a vo-vo-voice arose In the festive sky, impassivable, tinfurled Saturday and Sunday burn like stars In every little park, in every little square Mom-pop didn't know him Mama, what janitor A train rides down entire Russia Ordnance was weeping in the open The A went past, Tram-Traum Well I don't sing Kupitye papirosn The light swells and pulses at the garden gate In the village, in the field, in the forest A deer, a deer stood in that place The last songs are assembling My dear, my little Liberty There he lies in his new bed, a band of paper round his head Don't wait for us, my darling Don't strain your sight Four Operas In Unheard-of Simplicity Displaced Person Part III: Spolia Spolia War of the Beasts and the Animals Today Before Yesterday (excerpt) After the Dead Water Intending to Live At the Door of a Notnew Age Part IV: Over Venerable Graves The Maximum Cost of Living (Marina Tsvetaeva) Conversations in the Realm of the Dead (Lyubov Shaporina) What Alice Found There (Alisa Poret) The Last Hero (Susan Sontag) From That Side: Notes on Sebald Over Venerable Graves Notes
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