The Voysey Inheritance - Granville Barker, Harley Granville
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Financial chicanery and ethical conflict in early twentieth-century classic being revived at the National Theatre Edward's highly principled world is turned upside down when his father reveals that he has been illegally speculating with clients' money. To make matters worse, he soon discovers his large, scandal-fearing family would perpetuate the crime rather than risk public dishonour. 'Of course it's pleasant and comfortable to keep within the law . . . then the law will look after you. Otherwise you have to look pretty sharp after yourself. You have to cultivate your own sense of right and…mehr

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Produktbeschreibung
Financial chicanery and ethical conflict in early twentieth-century classic being revived at the National Theatre Edward's highly principled world is turned upside down when his father reveals that he has been illegally speculating with clients' money. To make matters worse, he soon discovers his large, scandal-fearing family would perpetuate the crime rather than risk public dishonour. 'Of course it's pleasant and comfortable to keep within the law . . . then the law will look after you. Otherwise you have to look pretty sharp after yourself. You have to cultivate your own sense of right and wrong . . . deal with your own justice. But that makes a bigger man of you, let me tell you.' This magnificently observed, hugely enjoyable portrait of an upper-middle-class family was written by the father of 20th-century British theatre, Harley Granville Barker, ten years before the First World War finally sent old values flying. The play was first staged at the Court Theatre, London, in 1904. It opens at the Royal National Theatre on 18 April 2006.
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Autorenporträt
Harley Granville Barker (1877-1946) was the most brilliant British director of the first quarter of the twentieth century. His best known plays, including Waste (banned by the Lord Chamberlain), were written as contributions to his Company's repertoire of provocative modern drama for a subsidised national theatre, a cause he championed in his book A National Theatre: Scheme and Estimates. Waste was first presented by the Stage Society in 1907, before being revised and produced at the Westminster Theatre in 1936. Other plays include The Madras House, first produced at Duke of York's Theatre, 1910; The Secret Life; and His Majesty, which received its first production at the Edinburgh International Festival by Orange Tree Theatre Company in 1992.