This collection of original essays offers new ways of understanding the production of epic poetry in Portugal and Spain from 1543 to 1639.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Emiro Martinez-Osorio and Mercedes Blanco
Inhaltsangabe
Acknowledgments List of Illustrations Introduction: The Age of Iberian Epic Emiro Martinez-Osorio Part One: Of Gods and Textual Models 1. Design Ingeniously Corrected: Corte-Real, Os Lusíadas, and the Gods in the Felicissima Helio J.S. Alves 2. Pagan Nature and the Naturalization of Empire in the New World Epyllions of Bento Teixeira and Silvestre de Balboa Luis Rodriguez Rincon 3. Lyric as Temptation in Alonso de Ercilla and Torquato Tasso Mercedes Blanco Part Two: The Poet as Hero 4. The Many Voices of the Poet: Narrative Polyphony in Os Lusíadas Matthew Da Mota 5. Eyewitness, Hero, and Poet: Alonso de Ercilla in the Three Parts of La Araucana Aude Plagnard Part Three: Gendered Epics 6. The Voice and the Veil: Pearls, Villancicos, and Dissent in Juan de Castellanos’ Elegy 14 Emiro Martinez-Osorio 7. Domestic Bliss and Strife: Fresia and Caupolicán in Alonso de Ercilla’s La Araucana and Pedro de Oña’s Arauco Domado Nicole Delia Legnani Part Four: New Historiographic and Cartographic Boundaries 8. Christopher Columbus and the Anonymous Pilot in Carlo famoso by Luis Zapata de Chaves Jason McCloskey 9. Cartography in Bernardo de Balbuena’s El Bernardo o victoria de Roncesvalles Martin Zulaica Lopez Afterword Mercedes Blanco Contributors Index
Acknowledgments List of Illustrations Introduction: The Age of Iberian Epic Emiro Martinez-Osorio Part One: Of Gods and Textual Models 1. Design Ingeniously Corrected: Corte-Real, Os Lusíadas, and the Gods in the Felicissima Helio J.S. Alves 2. Pagan Nature and the Naturalization of Empire in the New World Epyllions of Bento Teixeira and Silvestre de Balboa Luis Rodriguez Rincon 3. Lyric as Temptation in Alonso de Ercilla and Torquato Tasso Mercedes Blanco Part Two: The Poet as Hero 4. The Many Voices of the Poet: Narrative Polyphony in Os Lusíadas Matthew Da Mota 5. Eyewitness, Hero, and Poet: Alonso de Ercilla in the Three Parts of La Araucana Aude Plagnard Part Three: Gendered Epics 6. The Voice and the Veil: Pearls, Villancicos, and Dissent in Juan de Castellanos’ Elegy 14 Emiro Martinez-Osorio 7. Domestic Bliss and Strife: Fresia and Caupolicán in Alonso de Ercilla’s La Araucana and Pedro de Oña’s Arauco Domado Nicole Delia Legnani Part Four: New Historiographic and Cartographic Boundaries 8. Christopher Columbus and the Anonymous Pilot in Carlo famoso by Luis Zapata de Chaves Jason McCloskey 9. Cartography in Bernardo de Balbuena’s El Bernardo o victoria de Roncesvalles Martin Zulaica Lopez Afterword Mercedes Blanco Contributors Index
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