¿¿·¿¿The Waste Land/The Love Song of J. Alfred Prufrock - Eliot, T. S.
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¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ In both Chinese and English, century version, corrects misunderstandings and mistranslations in previous versions, and unearths content that previous version failed to percieve; conducts an in-depth study of the rhythm of the original work, gains new understanding and makes new discoveries, in the translated work. Chinese equivalent in versification is applied in the translated text to bring out the mood and mimic the style of the original…mehr

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¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ In both Chinese and English, century version, corrects misunderstandings and mistranslations in previous versions, and unearths content that previous version failed to percieve; conducts an in-depth study of the rhythm of the original work, gains new understanding and makes new discoveries, in the translated work. Chinese equivalent in versification is applied in the translated text to bring out the mood and mimic the style of the original work; the appendix discusses the key points of translation and the thinking and practice of poetry translation. Poetry lovers, researchers of British and American modern poetry, translators of literature and poetry, translation researchers and readers may find the new version facinating and join in discussion of the subject. Zhijian Tao, pulications: Monograph -- Drawing the Dragon: Western European Reinvention of China Translation -- Bibliography Complex: Fundamentals of Librarianship and Knowledge Management Translation -- Xinhua Dictionary (Chinese-English) (¿¿¿¿¿(¿¿¿¿¿)¿, Commercial Press. Beijing 2021), Translation -- Contemporary ¿Chinese Dictionary (Chinese-English) (¿¿¿¿¿¿¿(¿¿¿¿¿)¿, Commercial Press, Beijing pending). Translation -- Four poetry anthologies
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Autorenporträt
Thomas Stearns Eliot OM (26 September 1888 - 4 January 1965) was a poet, essayist, publisher, playwright, literary critic and editor. Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry. Through his trials in language, writing style, and verse structure, he reinvigorated English poetry. He also dismantled outdated beliefs and established new ones through a collection of critical essays.[3]Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work, and marry there. He became a British citizen in 1927 at the age of 39 and renounced his American citizenship.[5]Eliot first attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" from 1914 to 1915, which, at the time of its publication, was considered outlandish.[6] It was followed by The Waste Land (1922), "The Hollow Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943).[7] He was also known for seven plays, particularly Murder in the Cathedral (1935) and The Cocktail Party (1949). He was awarded the 1948 Nobel Prize in Literature, "for his outstanding, pioneer contribution to present-day poetry"