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Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? This book argues that the principles of visual storytelling created in the studio era are alive and well.

Produktbeschreibung
Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? This book argues that the principles of visual storytelling created in the studio era are alive and well.
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Autorenporträt
David Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate from the University of Iowa. He is the author of The Films of Carl Theodor Dreyer (University California Press, 1981), Narration in the Fiction Film (University Wisconsin Press, 1985), Ozu and the Poetics of Cinema (British Film Institute/Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997) and Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000). He has won a University Distinguished Teaching Award.