Through an innovating collection of sources which brings together reform, theatrical, and legal texts, The Wayward Woman: Progressivism, Prostitution, and Performance in the United States, 1888-1917 explores the Progressive attitudes toward gender roles, racial formations, and the relationship between the citizens and the state.
Through an innovating collection of sources which brings together reform, theatrical, and legal texts, The Wayward Woman: Progressivism, Prostitution, and Performance in the United States, 1888-1917 explores the Progressive attitudes toward gender roles, racial formations, and the relationship between the citizens and the state.
Barbara Antoniazzi is postdoctoral fellow in American studies at the Free University of Berlin.
Inhaltsangabe
Contents List of Abbreviations Acknowledgments Introduction 1 Performing Dissent: New Women Go Public 2 Girls Who Act Up: Writing Reform and the Uses of Abolition 3 In the Theater of Justice: White Slavery, the Law, and the Color Line 4 Staging Waywardness: Rachel Crothers's Ourselves 5 Staging Remedies: Doctors, Patients, and the American Plan Conclusion Bibliography About the Author
Contents List of Abbreviations Acknowledgments Introduction 1 Performing Dissent: New Women Go Public 2 Girls Who Act Up: Writing Reform and the Uses of Abolition 3 In the Theater of Justice: White Slavery, the Law, and the Color Line 4 Staging Waywardness: Rachel Crothers's Ourselves 5 Staging Remedies: Doctors, Patients, and the American Plan Conclusion Bibliography About the Author
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