The Weary Blues - Hughes, Langston
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"The Weary Blues" is the powerful and ground-breaking collection of poetry by American author Langston Hughes. An important contribution to the growing Harlem Renaissance art movement, "The Weary Blues" was Hughes' first poetry collection and was published in 1926 when the author was only 24, though some of the poems had appeared earlier in magazines. An immediate critical success, Hughes created a new form of poetry, called jazz or blues poetry, with his evocative and lyrical descriptions of the sounds and sights of a blues musician playing live. Hughes addresses the pressing social issues of…mehr

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Produktbeschreibung
"The Weary Blues" is the powerful and ground-breaking collection of poetry by American author Langston Hughes. An important contribution to the growing Harlem Renaissance art movement, "The Weary Blues" was Hughes' first poetry collection and was published in 1926 when the author was only 24, though some of the poems had appeared earlier in magazines. An immediate critical success, Hughes created a new form of poetry, called jazz or blues poetry, with his evocative and lyrical descriptions of the sounds and sights of a blues musician playing live. Hughes addresses the pressing social issues of racism, inequality, and political oppression while also capturing and celebrating the beauty and uniqueness of the African-American community in Harlem. In addition to the titular poem, "The Weary Blues" includes enduring classics of American poetry such as "The Negro Speaks of Rivers" and Hughes' inspiring call for equality that begins "I, too, sing America". These poems, as well as the shorter and more exuberant works, remain as relevant and powerful as when they were first written. This deeply personal, sensitive, and often melancholy collection established Hughes as one of the most important writers of the twentieth-century and continues to be celebrated and enjoyed by readers the world over. This edition is printed on premium acid-free paper.
Autorenporträt
Best known for his vivid and astute portrayals of Black life across the written page, Langston Hughes-born James Mercer Langston Hughes-(1901 - 1967) was a poet, playwright, writer and key figure of the Harlem Renaissance who founded jazz poetry. Raised mostly by his grandmother, Hughes was instilled with a lasting sense of racial pride and a love of books from a young age and though not supported by his father in his pursuit of writing, Hughes would attend Columbia with his father's aid in 1921, before leaving the very next year due to racial prejudice and a desire to focus on his poetry. Hughes first introduced his voice to the world in a 1921 issue of The Crisis where he published, "The Negro Speaks of Rivers." The poem would come to be known as his signature piece and five years later was included in his debut poetry collection, The Weary Blues. Establishing himself as a key player of the Harlem Renaissance, Hughes would be one of a small group of Black intellectuals and artists of the movement who called themselves the Niggerati. Going on to write their manifesto, "The Negro Artist and the Racial Mountain," Hughes' use of the literary medium differed heavily from the artistic aspirations of the Black middle class in that he desired to focus on highlighting the lives of working-class Black people and addressing divisions and prejudices that existed within the Black community itself. In a career spanning over four decades, Hughes would publish an award-winning novel (Not Without Laughter ), multiple plays-some in collaboration with Zora Neale Hurstons-(Mule Bone and Black Nativity), children's literature (Popo and Fifina) and even an autobiography (The Big Sea); among others in a large volume of work. In his personal life, Hughes maintained lifetime friendships with members of the movement and also is believed to have had private romantic and sexual relationships with men. While Hughes' emphasis on racial pride had begun to fall out of favor with new and coming movements of the younger generation, his contributions to the African-American literary canon and American literature at all could not be denied and as such at the time of his death was-and continues to be-one of the most talented and respected voices of a generation.