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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
One / Thoughts and Methods.- I. Preliminaries.- II. The advent of the ethnomusicologist.- III. The ethnomusicologist's workshop.- IV. The question of origin.- Two / Early Music.- V. The oldest music: tumbling strains.- VI. The oldest music: one-step melodies.- VII. Conservatism and magic.- VIII. Vocal mannerisms.- IX. Instruments.- X. Rhythm and form III.- Three / On the Way.- Growth, personality, art.- Four / The Fate of Secondal and Tertial Patterns.- The widening nucleus - " triadic and fanfare melodies" - tonal anatomy and physiology - chains - double, triple, quadruple, quintuple and sextuple thirds - skeletons and infixes - pentatonism and heptatonism - German chorale dialect - Landino third - four-line notation - six-five patterns - triadic octaves.- Five / The Fate of Quartal and Quintal Patterns.- Disjunction and conjunction - quartal chains - chains of fifths - hybrids - modulation - culture chance once more.- Six / Centric Melodies Gregorian tenor melodies - the concept of mesè.- Seven / Polyphony.- Vertical and horizontal - distribution - isochronous conductus - parallels - drones - grounds - alternation and canon - Stimmtausch- heterophony.- Eight / Cross- or Polyrhythm.- Independent accompaniment - hemiola - " syncopation " Afro-Indian concordances.- Nine / Professional Music and Musical Systems.- Semi-professionals and professionals - bards - minstrelsy - segregation and discrimination - professional waiters - musical vocabularies - pitch syllables - concomitant method of learning.- Ten / 'Progress'?.- The fading theory of evolution - culture graft - progress - evidences against progress - our gain is our loss.- A note on Bibliography.- Index of Names.
One / Thoughts and Methods.- I. Preliminaries.- II. The advent of the ethnomusicologist.- III. The ethnomusicologist's workshop.- IV. The question of origin.- Two / Early Music.- V. The oldest music: tumbling strains.- VI. The oldest music: one-step melodies.- VII. Conservatism and magic.- VIII. Vocal mannerisms.- IX. Instruments.- X. Rhythm and form III.- Three / On the Way.- Growth, personality, art.- Four / The Fate of Secondal and Tertial Patterns.- The widening nucleus - " triadic and fanfare melodies" - tonal anatomy and physiology - chains - double, triple, quadruple, quintuple and sextuple thirds - skeletons and infixes - pentatonism and heptatonism - German chorale dialect - Landino third - four-line notation - six-five patterns - triadic octaves.- Five / The Fate of Quartal and Quintal Patterns.- Disjunction and conjunction - quartal chains - chains of fifths - hybrids - modulation - culture chance once more.- Six / Centric Melodies Gregorian tenor melodies - the concept of mesè.- Seven / Polyphony.- Vertical and horizontal - distribution - isochronous conductus - parallels - drones - grounds - alternation and canon - Stimmtausch- heterophony.- Eight / Cross- or Polyrhythm.- Independent accompaniment - hemiola - " syncopation " Afro-Indian concordances.- Nine / Professional Music and Musical Systems.- Semi-professionals and professionals - bards - minstrelsy - segregation and discrimination - professional waiters - musical vocabularies - pitch syllables - concomitant method of learning.- Ten / 'Progress'?.- The fading theory of evolution - culture graft - progress - evidences against progress - our gain is our loss.- A note on Bibliography.- Index of Names.
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