The Whale Culture in the Pacific -The Truth of the Lost Continent of Mu - de la Vera, Vito
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My search for the origins of the whale culture has now taken me from the first findings on the East coast of Greenland across the Arctic Ocean and down the Bering Sea to the Aleutian Islands. Here I have found evidence that they originated in the Pacific, which brings us to Japan and the Yonaguni monument. Here it becomes evident that the Whale culture originated from hunter-gatherers, on the Eurasian Mammoth step, who have begun to hunt seals and whales in the Sea of Japan and have then crossed over to Japan from where their culture has adapted to the rich hunting waters of the Pacific during…mehr

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Produktbeschreibung
My search for the origins of the whale culture has now taken me from the first findings on the East coast of Greenland across the Arctic Ocean and down the Bering Sea to the Aleutian Islands. Here I have found evidence that they originated in the Pacific, which brings us to Japan and the Yonaguni monument. Here it becomes evident that the Whale culture originated from hunter-gatherers, on the Eurasian Mammoth step, who have begun to hunt seals and whales in the Sea of Japan and have then crossed over to Japan from where their culture has adapted to the rich hunting waters of the Pacific during the ice age. The abundance of hunting game has led them to be very successful in the Pacific and to have the resources to develop their unique culture, where they lived on and hunted from the ice cover on the Ocean. On the journey from Japan across the Pacific we find evidence on Hawaii that causes us to take a detour to Kiritimati. There we find evidence that very specific ocean currents during the ice age created a continent of ice in the pacific during the ice age with very rich waters both to the north and south of this ice continent on which the whale culture established a civilization that must have been the real lost continent of Mu. From this continent the whale culture of Mu could cover the entire pacific in their airships based on whale skin and bone. In our continued search we come to Tahiti and New Caledonia to find the source of the specific conditions in the ocean currents that led to the formation of the ice continent of Mu and how these conditions started to collapse and led to the decline of the Whale culture in the Pacific. We thus end up following the whale culture to New Zealand, where it tries to adapt to the missing sea ice and follows the ice south towards the Antarctic before disappearing.
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Autorenporträt
The author and archeologist Vita de la Vera is a nobleman, scholar and very independent researcher, who's main field of interest is ancient and forgotten cultures that are unrecognized by conventional science. He is a more outlandish member of le Club d'Aventure d'Outre-Mer, where he has often caused quite a stir especially in his ongoing feud with fellow member Jacques Pierre, who is not altogether convinced of the validity of many of Vito de la Vera's findings. This competition has not meant that they cannot be civil, however. Vito de la Vera's main interest is the continued search for more knowledge about the ancient whale culture that has existed in the Arctic during the Holocene Maximum and in the Pacific during the ice age. His continued quest to find out more about this culture has led him far and wide from the Arctic to New Caledonia and to South America. His findings have also led him unto the truth about the continent of Mu that is deeply connected to the whale culture. His research has also led him on an airship trip around Greenland with fellow members of Le Club d'Aventure d'Outre-Mer. Aside from the search for the whale culture Vito de la Vera has also searched for Lemuria at the Mascarene Plateau and Atlantis as a floating artificial island in the Atlantic modeled on the Richat Structure also known as the Eye of Africa from whence the Atlantean culture stemmed as it spread to the ocean and into the Sargasso Sea. Aside from his archeological work Vito de la Vera is also heavily engaged in the creation and building of artificial coral reefs and floating islands build on the concepts of Atlantis and the south American cultures that build huge floating structures from rushes that were then used as platforms for fields and Mangroves.