The Who & the What - Akhtar, Ayad
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The Pulitzer prize-winning author of Disgraced explores the conflict that erupts within a Muslim family in Atlanta when an independent-minded daughter writes a provocative novel that offends her more conservative father and sister. Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.…mehr

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Produktbeschreibung
The Pulitzer prize-winning author of Disgraced explores the conflict that erupts within a Muslim family in Atlanta when an independent-minded daughter writes a provocative novel that offends her more conservative father and sister. Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.
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Autorenporträt
Ayad Akhtar is a screenwriter, playwright, actor, and novelist. He is the author of the novel American Dervish and was nominated for a 2006 Independent Spirit Award for best screenplay for the film The War Within. His plays include Disgraced, recipient of the 2013 Pulitzer Prize for Drama; The Who & The What and The Invisible Hand, both of which received Off-Broadway runs and are being produced around the world; and Junk, produced at Lincoln Center in 2017 He lives in New York City.
Rezensionen
"Crackles with intelligence and behavioral truth.... Akhtar is so eminently gifted in writing scenes that quake with powerful emotion.... The moments of strife, both religious and romantic, are frighteningly believable."-Charles McNulty, Los Angeles Times