Barry Schwabsky
The Widening Circle
The Consequences of Modernism in Contemporary Art
Herausgeber: Kuspit, Donald
Barry Schwabsky
The Widening Circle
The Consequences of Modernism in Contemporary Art
Herausgeber: Kuspit, Donald
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A collection of essays about modernism and art since the 1960s.
Andere Kunden interessierten sich auch für
- Philippe Vandenberg: Crossing the Circle48,99 €
- Ellie Ga: Square Octagon Circle31,99 €
- James ElkinsOn Pictures and the Words That Fail Them53,99 €
- Noel CarrollBeyond Aesthetics65,99 €
- Chus MartinezThe Complex Answer23,99 €
- Robert HenriThe Art Spirit14,99 €
- Sean MetzgerThe Chinese Atlantic22,99 €
-
-
-
A collection of essays about modernism and art since the 1960s.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 252
- Erscheinungstermin: 13. Mai 2009
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 415g
- ISBN-13: 9780521565691
- ISBN-10: 0521565693
- Artikelnr.: 21232418
- Verlag: Cambridge University Press
- Seitenzahl: 252
- Erscheinungstermin: 13. Mai 2009
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 415g
- ISBN-13: 9780521565691
- ISBN-10: 0521565693
- Artikelnr.: 21232418
Barry Schwabsky has published four previous books of poetry as well as several chapbooks. He is the author of numerous works of criticism, and is the art critic for The Nation and co-editor of international reviews for Artforum.
Part I. Abstraction, Representation ...: 1. The widening circle: abstraction and representation in contemporary art and criticism
2. 'The real situation': Philip Guston and Mark Rothko at the end of the 1960s
3. Norman Bluhm and the eternal feminine
4. Color field and Caro: mannerist modernism
5. Larry Poons: formalism in ruins
6. Gesture revisited: Mel Bochner, Howard Buchwald, Brice Marden
7. Mary Heilmann's ceramics and paintings: color as substance
8. Porfirio DiDonna: vision fulfilled
9. Moira Dryer: answering machines
10. The rustle of painting: Jacques Lacan, David Row, Brenda Zlamany
Part II. Italian Interlude: 11. W. de Pisis
12. Rotellascope
13. Michelangelo Pistoletto: mirrors to monuments
14. The abstraction epidemic: a conversation with Demetrio Paparoni
Part III ... and Inscription: 15. Thomas Chimes: concerning the surface
16. Cy Twombly: Et in Arcadia Ego?
17. Bruce Conner's inkblot drawings: documents for a secret tradition
18. Reverse continuity: the prints of Mel Bochner
19. Rubble: representing Mel Bochner's early work
20. Ross Bleckner: memories of light
21. L. C. Armstrong: written on the skin
22. Rainer Ganahl: windows on the word.
2. 'The real situation': Philip Guston and Mark Rothko at the end of the 1960s
3. Norman Bluhm and the eternal feminine
4. Color field and Caro: mannerist modernism
5. Larry Poons: formalism in ruins
6. Gesture revisited: Mel Bochner, Howard Buchwald, Brice Marden
7. Mary Heilmann's ceramics and paintings: color as substance
8. Porfirio DiDonna: vision fulfilled
9. Moira Dryer: answering machines
10. The rustle of painting: Jacques Lacan, David Row, Brenda Zlamany
Part II. Italian Interlude: 11. W. de Pisis
12. Rotellascope
13. Michelangelo Pistoletto: mirrors to monuments
14. The abstraction epidemic: a conversation with Demetrio Paparoni
Part III ... and Inscription: 15. Thomas Chimes: concerning the surface
16. Cy Twombly: Et in Arcadia Ego?
17. Bruce Conner's inkblot drawings: documents for a secret tradition
18. Reverse continuity: the prints of Mel Bochner
19. Rubble: representing Mel Bochner's early work
20. Ross Bleckner: memories of light
21. L. C. Armstrong: written on the skin
22. Rainer Ganahl: windows on the word.
Part I. Abstraction, Representation ...: 1. The widening circle: abstraction and representation in contemporary art and criticism
2. 'The real situation': Philip Guston and Mark Rothko at the end of the 1960s
3. Norman Bluhm and the eternal feminine
4. Color field and Caro: mannerist modernism
5. Larry Poons: formalism in ruins
6. Gesture revisited: Mel Bochner, Howard Buchwald, Brice Marden
7. Mary Heilmann's ceramics and paintings: color as substance
8. Porfirio DiDonna: vision fulfilled
9. Moira Dryer: answering machines
10. The rustle of painting: Jacques Lacan, David Row, Brenda Zlamany
Part II. Italian Interlude: 11. W. de Pisis
12. Rotellascope
13. Michelangelo Pistoletto: mirrors to monuments
14. The abstraction epidemic: a conversation with Demetrio Paparoni
Part III ... and Inscription: 15. Thomas Chimes: concerning the surface
16. Cy Twombly: Et in Arcadia Ego?
17. Bruce Conner's inkblot drawings: documents for a secret tradition
18. Reverse continuity: the prints of Mel Bochner
19. Rubble: representing Mel Bochner's early work
20. Ross Bleckner: memories of light
21. L. C. Armstrong: written on the skin
22. Rainer Ganahl: windows on the word.
2. 'The real situation': Philip Guston and Mark Rothko at the end of the 1960s
3. Norman Bluhm and the eternal feminine
4. Color field and Caro: mannerist modernism
5. Larry Poons: formalism in ruins
6. Gesture revisited: Mel Bochner, Howard Buchwald, Brice Marden
7. Mary Heilmann's ceramics and paintings: color as substance
8. Porfirio DiDonna: vision fulfilled
9. Moira Dryer: answering machines
10. The rustle of painting: Jacques Lacan, David Row, Brenda Zlamany
Part II. Italian Interlude: 11. W. de Pisis
12. Rotellascope
13. Michelangelo Pistoletto: mirrors to monuments
14. The abstraction epidemic: a conversation with Demetrio Paparoni
Part III ... and Inscription: 15. Thomas Chimes: concerning the surface
16. Cy Twombly: Et in Arcadia Ego?
17. Bruce Conner's inkblot drawings: documents for a secret tradition
18. Reverse continuity: the prints of Mel Bochner
19. Rubble: representing Mel Bochner's early work
20. Ross Bleckner: memories of light
21. L. C. Armstrong: written on the skin
22. Rainer Ganahl: windows on the word.