The Wild Duck - Ibsen, Henrik
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"My heart started breaking at 9:45 last night, a little more than two hours into Great Lakes Theater Festival's THE WILD DUCK, breaking for a once-happy family sucked down into the depths. It may take a while to get there as Ibsen marches deliberately and unswervingly toward the precipice, but your heart too is in for an exhausting but enlightening workout... Written in 1884, this Norwegian masterpiece could hardly be more at home in the United States in 2000. It is a play about destructively false idealism that leads to self-righteous campaigns against human foibles. It could easily be about…mehr

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"My heart started breaking at 9:45 last night, a little more than two hours into Great Lakes Theater Festival's THE WILD DUCK, breaking for a once-happy family sucked down into the depths. It may take a while to get there as Ibsen marches deliberately and unswervingly toward the precipice, but your heart too is in for an exhausting but enlightening workout... Written in 1884, this Norwegian masterpiece could hardly be more at home in the United States in 2000. It is a play about destructively false idealism that leads to self-righteous campaigns against human foibles. It could easily be about Kenneth Starr. Translator and adaptor Anthony Clarvoe [has] chosen to update the language and to set the play in the Cleveland of today... Except for the Americanization of names and a few almost invisible trims, Clarvoe's is a remarkably faithful update." Tony Brown, Cleveland Plain Dealer
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Autorenporträt
Henrik Johan Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright, theatre director, and poet. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time.[2] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder, and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare,and by the early 20th century A Doll's House became the world's most performed play. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the facades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. His early poetic and cinematic play Peer Gynt, however, has also strong surreal elements.[6] Ibsen is often ranked as one of the most distinguished playwrights in the European tradition.[7] Richard Hornby describes him as "a profound poetic dramatist-the best since Shakespeare".[8] He is widely regarded as the foremost playwright of the nineteenth century.[7][9] He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, Arthur Miller, James Joyce, Eugene O'Neill, and Miroslav Krle¿a. Ibsen was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904.[10] Ibsen wrote his plays in Danish (the common written language of Denmark and Norway during his lifetime)[11] and they were published by the Danish publisher Gyldendal. Although most of his plays are set in Norway-often in places reminiscent of Skien, the port town where he grew up-Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years. Born into a merchant family connected to the patriciate of Skien, Ibsen shaped his dramas according to his family background. He was the father of Prime Minister Sigurd Ibsen. Ibsen's dramas have a strong influence upon contemporary culture.