The Woman in White - Collins, Wilkie
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The Woman in White is an intricately plotted story, organised as a chain of 'witness' statements from a wide diversity of characters designed to unravel a cunning conspiracy against innocent women by a duo of memorable aristocratic monsters, Sir Percival Glyde and his devilish companion, the Italian Count Fosco. The theme of identity is explored in great depth in The Woman in White. In fact, the question of identity drives the story from beginning to end: The narrative starts with the appearance of a strange woman in white whose identity is discovered only near the end of the book.

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Produktbeschreibung
The Woman in White is an intricately plotted story, organised as a chain of 'witness' statements from a wide diversity of characters designed to unravel a cunning conspiracy against innocent women by a duo of memorable aristocratic monsters, Sir Percival Glyde and his devilish companion, the Italian Count Fosco. The theme of identity is explored in great depth in The Woman in White. In fact, the question of identity drives the story from beginning to end: The narrative starts with the appearance of a strange woman in white whose identity is discovered only near the end of the book.
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Autorenporträt
William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early "sensation novel", and for The Moonstone (1868), which has been proposed as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with them to Italy when he was twelve, living there and in France for two years, learning both Italian and French. He worked initially as a tea merchant. After Antonina, his first novel, appeared in 1850, Collins met Charles Dickens, who became a friend and mentor. Some of his work appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but became addicted to the opium he took for his gout, so that his health and writing quality declined in the 1870s and 1880s.