This book explores the relationship among gender, desire, and narrative in 1940s woman's films which negotiate the terrain between public history and private experience. The woman's film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II.
This book explores the relationship among gender, desire, and narrative in 1940s woman's films which negotiate the terrain between public history and private experience. The woman's film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II.
Alison L. McKee is an Associate Professor in the Department of Television, Radio, Film, and Theatre at San Jose State University, US
Inhaltsangabe
Introduction: To Speak of Love 1. Film Theory Narrative and the 1940s Woman's Film 2. The Fate of One Governess: Lost Narrative History and Gendered Desire 3. Melodrama History and Narrative Recovery 4. Temporality and the Past: Haunting Narratives and the Post-War Woman's Film 5. By My Tears I Tell a Story/The "Absent" War 6. Telling the Story Differently: Toward an Androgynous Spectatorship and Interpretation
Introduction: To Speak of Love 1. Film Theory Narrative and the 1940s Woman's Film 2. The Fate of One Governess: Lost Narrative History and Gendered Desire 3. Melodrama History and Narrative Recovery 4. Temporality and the Past: Haunting Narratives and the Post-War Woman's Film 5. By My Tears I Tell a Story/The "Absent" War 6. Telling the Story Differently: Toward an Androgynous Spectatorship and Interpretation
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