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Autorenporträt
John Ruskin was an English writer, philosopher, art expert, and general know-it-all who lived from February 8, 1819, to January 20, 1900. He wrote about a lot of different things, like architecture, mythology, birds, literature, schooling, botany, politics, and the economy. Ruskin was very interested in Viollet le Duc's work and taught it to all of his students, including William Morris. He thought Viollet le Duc's Dictionary was "the only book of any value on architecture." Ruskin used a lot of different writing styles and literary types. Besides essays and treatises, he also wrote poems, gave talks, traveled guides and manuals, letters, and even a fairy tale. He also drew and painted scenes with rocks, plants, birds, scenery, buildings, and decorations in great detail. His early writings on art were written in a very complicated style. Over time, he switched to simpler language that was meant to get his ideas across more clearly. He always stressed the links between nature, art, and society in everything he wrote. Up until the First World War, Ruskin had a huge impact on the second half of the 1800s. After a time of decline, his reputation has steadily gotten better since the 1960s, when a lot of academic studies of his work came out.
Inhaltsangabe
Introduction to Vol. 7 Bibliographical note Part I. Modern Painters Vol. V (Containing the Text of All the Editions) Section 6. Of Leaf Beauty: 1. The earth-veil 2. The leaf-orders 3. The bud 4. The leaf 5. Leaf aspects 6. The branch 7. The stem 8. The leaf monuments 9. The leaf shadows 10. Leaves motionless Section 7. Of Cloud Beauty: 1. The cloud-balancings 2. The cloud-flocks 3. The cloud-chariots 4. The angel of the sea Section 8. Of Ideas of Relation - First, of Invention Formal: 1. The law of help 2. The task of the least 3. The rule of the greatest 4. The law of perfectness Section 9. Of Ideas of Relation - Second, of Invention Spiritual: 1. The dark mirror 2. The lance of Pallas 3. The wings of the lion 4. Dürer and Salvator 5. Claude and Poussin 6. Rubens and Cuyp 7. Of vulgarity 8. Wouvermans and Angelico 9. The two boyhoods 10. The Nereid's guard 11. The Hesperid Aeglé 12. Peace Epilogue (1888) Part II: Appendix.
Introduction to Vol. 7 Bibliographical note Part I. Modern Painters Vol. V (Containing the Text of All the Editions) Section 6. Of Leaf Beauty: 1. The earth-veil 2. The leaf-orders 3. The bud 4. The leaf 5. Leaf aspects 6. The branch 7. The stem 8. The leaf monuments 9. The leaf shadows 10. Leaves motionless Section 7. Of Cloud Beauty: 1. The cloud-balancings 2. The cloud-flocks 3. The cloud-chariots 4. The angel of the sea Section 8. Of Ideas of Relation - First, of Invention Formal: 1. The law of help 2. The task of the least 3. The rule of the greatest 4. The law of perfectness Section 9. Of Ideas of Relation - Second, of Invention Spiritual: 1. The dark mirror 2. The lance of Pallas 3. The wings of the lion 4. Dürer and Salvator 5. Claude and Poussin 6. Rubens and Cuyp 7. Of vulgarity 8. Wouvermans and Angelico 9. The two boyhoods 10. The Nereid's guard 11. The Hesperid Aeglé 12. Peace Epilogue (1888) Part II: Appendix.
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