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This collection gathers the best works of Max Beerbohm, one of the most celebrated writers and caricaturists of the Edwardian era. His witty and insightful essays, poems, and drawings offer a vivid portrait of the society and culture of his time, as well as a timeless commentary on the human condition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

Produktbeschreibung
This collection gathers the best works of Max Beerbohm, one of the most celebrated writers and caricaturists of the Edwardian era. His witty and insightful essays, poems, and drawings offer a vivid portrait of the society and culture of his time, as well as a timeless commentary on the human condition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Autorenporträt
Sir Henry Maximilian "Max" Beerbohm (24 August 1872 - 20 May 1956) was an English essayist, parodist and caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the Saturday Review from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, Zuleika Dobson, published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections.