"The Works of Shonda Rhimes brings together a collection of essays that look critically at the works of this award-winning writer, producer, and CEO of the global media company, Shondaland. Screenwriting and television studies scholars explore how Rhimes's series have been at the forefront of change in the television landscape in the past two decades. It offers the reader insights into the cultural impact of Rhimes's work, illuminating how one of the most powerful television creators and showrunners in the history of the medium has crafted and shaped screen stories that speak to viewers spanning all demographics across the globe"--…mehr
"The Works of Shonda Rhimes brings together a collection of essays that look critically at the works of this award-winning writer, producer, and CEO of the global media company, Shondaland. Screenwriting and television studies scholars explore how Rhimes's series have been at the forefront of change in the television landscape in the past two decades. It offers the reader insights into the cultural impact of Rhimes's work, illuminating how one of the most powerful television creators and showrunners in the history of the medium has crafted and shaped screen stories that speak to viewers spanning all demographics across the globe"--
Anna Weinstein is on the screenwriting faculty at Kennesaw State University, USA. She is Series Editor of the SCREEN STORYTELLERS book series and PERFORM: Succeeding as a Creative Professional book series. She is the author of Writing Women for Film & Television: A Guide to Creating Complex Female Characters (2023) and editor of Writing for the Screen (2023) and Directing for the Screen (2023).
Inhaltsangabe
Preface: The Influence of Screenwriters Acknowledgements Introduction: The Influence of Shonda Rhimes Anna Weinstein (Kennesaw State University, USA) PART I: HOW SHE WORKS: Creating Television Series 1. Scandal as a New Series Model William Rabkin (University of California, Riverside-Palm Desert, USA) 2. The Art of Developing "Humanistic" Female Characters Rosanne Welch (Stephens College, USA) 3. Crafting the Pilot: Someone Arrives Rani Deighe Crowe (Ball State University, USA) PART II: SIGNIFICANT WORKS: Normalizing Diverse Representation 4. Color Aware Casting Chriss Williams (William Paterson University, USA) 5. Black Maternal Bodies on the Screen: Shondaland and the New Representational Paradigm of Black Motherhood Zsuzsanna Lénárt-Muszka (University of Debrecen, Hungary) 6. Reworking the "Monstrous Mother" for the Modern Era Louise Coopey (Independent Scholar, UK) 7. Respectability in Shondaland: Villainous Queerings Sébastien Mignot (University of Caen Normandy, France) 8. From Family Shame to Doctor's Pride: Shifting Trans Narratives on Grey's Anatomy Kara Raphaeli (Simpson College, USA) 9. Restorative vs. Retributive Justice: Themes from How to Get Away with Murder Sara Correia-Hopkins (Swansea University, UK), Cate Correia-Hopkins (Independent Scholar, UK) 10. Hidden Fantastic Modalities of Shonda Rhimes's Procedural Dramas Ida Yoshinaga (Georgia Tech, USA) 11. Bridgerton: The Progressive Period Pastiche Shelley Anne Galpin (King's College London, UK) PART III: RECENT WORKS: Building Shondaland 12. Ensemble Storytelling in How to Get Away with Murder E. Deidre Pribram (Molloy University, USA) 13. Streaming Shondaland: Shonda Rhimes and Netflix-From Bridgerton and Beyond Sheri Chinen Biesen (Rowan University, USA) 14. Hey, Peloton! Say Yes! Stephanie O'Brien (University of North Carolina Asheville, USA) List of Contributors Bibliography Index
Preface: The Influence of Screenwriters Acknowledgements Introduction: The Influence of Shonda Rhimes Anna Weinstein (Kennesaw State University, USA) PART I: HOW SHE WORKS: Creating Television Series 1. Scandal as a New Series Model William Rabkin (University of California, Riverside-Palm Desert, USA) 2. The Art of Developing "Humanistic" Female Characters Rosanne Welch (Stephens College, USA) 3. Crafting the Pilot: Someone Arrives Rani Deighe Crowe (Ball State University, USA) PART II: SIGNIFICANT WORKS: Normalizing Diverse Representation 4. Color Aware Casting Chriss Williams (William Paterson University, USA) 5. Black Maternal Bodies on the Screen: Shondaland and the New Representational Paradigm of Black Motherhood Zsuzsanna Lénárt-Muszka (University of Debrecen, Hungary) 6. Reworking the "Monstrous Mother" for the Modern Era Louise Coopey (Independent Scholar, UK) 7. Respectability in Shondaland: Villainous Queerings Sébastien Mignot (University of Caen Normandy, France) 8. From Family Shame to Doctor's Pride: Shifting Trans Narratives on Grey's Anatomy Kara Raphaeli (Simpson College, USA) 9. Restorative vs. Retributive Justice: Themes from How to Get Away with Murder Sara Correia-Hopkins (Swansea University, UK), Cate Correia-Hopkins (Independent Scholar, UK) 10. Hidden Fantastic Modalities of Shonda Rhimes's Procedural Dramas Ida Yoshinaga (Georgia Tech, USA) 11. Bridgerton: The Progressive Period Pastiche Shelley Anne Galpin (King's College London, UK) PART III: RECENT WORKS: Building Shondaland 12. Ensemble Storytelling in How to Get Away with Murder E. Deidre Pribram (Molloy University, USA) 13. Streaming Shondaland: Shonda Rhimes and Netflix-From Bridgerton and Beyond Sheri Chinen Biesen (Rowan University, USA) 14. Hey, Peloton! Say Yes! Stephanie O'Brien (University of North Carolina Asheville, USA) List of Contributors Bibliography Index
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