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Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by…mehr

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Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
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Autorenporträt
Thomas Carew (1595-1639) was the son of Sir Matthew Carew, master in chancery, and his wife Alice Ingpenny, widow of Sir John Rivers, Lord Mayor of London. The poet was born at West Wickham, Kent. At the age of thirteen, in June 1608, he matriculated at Merton College, Oxford, where he took his B.A. in 1611, and went on to study at the Middle Temple. Evidently his legal studies were not central to his concerns, and two years later his father complained to Sir Dudley Carleton of young Thomas' lack of diligence or progress. As a favour, Sir Dudley took him on as part of his own household during his embassy to Venice, and after Carleton's return, he appears to have kept Thomas on, for he was still emptied by him, as secretary, at The Hague, in early 1616. He was dismissed, however, in the autumn of 1616 for levity and slander, and had great difficulty in obtaining another post.In August 1618 his father died, and Carew entered the service of Lord Herbert of Cherbury, and continued to travel with him on his diplomatic missions until April 1624. Carew received the court appointment of gentleman of the privy chamber in 1628. While in this office, he is reputed to have demonstrated great tact by stumbling and extinguishing the candle he was holding to light Charles I into the Queen's chamber, upon seeing that Lord St. Albans had his arm round the Queen's neck. The king suspected nothing, and the queen accordingly granted Carew a number of favours.In 1630, Carew was made "sewer-in-ordinary", or taster to the king. His close friendship with Sir John Suckling, Ben Jonson and Clarendon dates to this period; Clarendon said that Carew was "a person of pleasant and facetious wit." John Donne, famed as both poet and as court-preacher until his death in 1631, exercised a powerful influence over Carew's writing, as did Jonson. In February 1633 a masque by Carew, Coelum Britanicum, was performed in the banqueting-house at Whitehall, with sets by Inigo Jones, and was printed in 1634. This was apparently successful, but Carew undertook no further such compositions, and his poetic activity seems to have died down at about the same time.The last years of Carew's life are more obscure. The first edition of his Poems was published in 1640, and the book went through two further augmented editions in the following six years. He was regarded as a leading talent during his time, if not the equivalent of Donne or Jonson, or even the then fashionable Cleveland, but his star rose again during the 20th century.