The World Before Racism: An Art Story is a gripping history of anti-black racism, told through works of art as truth-sayers. Utilizing empirical evidence that is difficult, if not impossible to refute, (western art and literature from ancient Greece to the 21st century; and Darwin's original writings) this research conclusively answers the questions: Who invented racism? When? And why?
The World Before Racism: An Art Story is a gripping history of anti-black racism, told through works of art as truth-sayers. Utilizing empirical evidence that is difficult, if not impossible to refute, (western art and literature from ancient Greece to the 21st century; and Darwin's original writings) this research conclusively answers the questions: Who invented racism? When? And why?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lisa Farringtonis an American art historian and author, specializing in African American, Haitian, and women's art. She is a graduate of Howard University (BFA), American University (MA), and subsequently obtained her MPh and PhD in art history and philosophy at the CUNY Graduate Center. A past Associate Dean of Fine Arts at Howard University, she is currently Distinguished Professor Emeritus and Founding Chair of the Department of Art & Music at the John Jay College of Criminal Justice at the City University of New York. Farrington is one of only six full professors of African American art history in the United States. Her 2005 book, Creating Their Own Image, was the first comprehensive history of African American female artists, from slavery to present day. Her 2015 book, African American Art: A Visual Culture and History, is an updated survey on African American art. Farrington resides in New York City. Jack Flamis a Distinguished Professor Emeritus of Art History at Brooklyn College and The Graduate Center at the City University of New York. He is the author of numerous books, catalogues, and articles on African art and on nineteenth and twentieth-century European and American art. Erin Thompsonholds a JD from Columbia Law School and a PhD in Art History from Columbia University. As Amer- ica's only professor of art crime, she studies the ethics of cultural heritage, and various other intersections between art and crime.
Inhaltsangabe
Table of Contents Dedication Page Acknowledgements Foreword: Erin Thompson Introduction: Jack Flam PART 1: Art as a "Primary Source" The Ancient World PART 2: The Middle Ages and the Moors From Gothic to Renaissance: St. Maurice and Parzifal PART 3: European Ascendency: From Slavs to Slaves Architects of Racism: 18th and 19th Centuries PART 4: EPILOGUE The Early 20th Century and the Harlem Renaissance The Latter 20th Century and the Pan African Black Arts Movement The 21st Century, Afrofuturism and Post Black Bibliography Syllabus / Teaching Guide Illustration Credits
Table of Contents Dedication Page Acknowledgements Foreword: Erin Thompson Introduction: Jack Flam PART 1: Art as a "Primary Source" The Ancient World PART 2: The Middle Ages and the Moors From Gothic to Renaissance: St. Maurice and Parzifal PART 3: European Ascendency: From Slavs to Slaves Architects of Racism: 18th and 19th Centuries PART 4: EPILOGUE The Early 20th Century and the Harlem Renaissance The Latter 20th Century and the Pan African Black Arts Movement The 21st Century, Afrofuturism and Post Black Bibliography Syllabus / Teaching Guide Illustration Credits
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