Andere Kunden interessierten sich auch für
![The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market]( "The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market")
The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market41,99 €![See What You're Missing: New Ways of Looking at the World Through Art]( "See What You're Missing: New Ways of Looking at the World Through Art")
See What You're Missing: New Ways of Looking at the World Through Art25,99 €![Painters of the 20th Century Painting in Their Studios]( "Painters of the 20th Century Painting in Their Studios")
Painters of the 20th Century Painting in Their Studios29,99 €![The History of Our Lord As Exemplified in Works of Art]( "The History of Our Lord As Exemplified in Works of Art")
The History of Our Lord As Exemplified in Works of Art40,99 €![Portraits of the Prairie]( "Portraits of the Prairie")
Portraits of the Prairie38,99 €![Romare Bearden in the Homeland of His Imagination]( "Romare Bearden in the Homeland of His Imagination")
Romare Bearden in the Homeland of His Imagination35,99 €![Mother of the Lamb]( "Mother of the Lamb")
Mother of the Lamb24,99 €
This book is a testament to the brilliant London-based Dutch artist who has made a unique contribution to the visual culture of architecture. Vriesendorp is best known as one of the co-founders of the Office of Metropolitan Architecture in the early 1970s, and her paintings and drawings from this period (published in Rem Koolhaas' Delirious New York, 1978) are widely acknowledged as beguiling and beautiful masterpieces. Images of Vriesendorp's idiosyncratic collection of drawings, paintings, postcards and paraphernalia are combined in this volume, alongside texts that illuminate her work. Charles Jencks ruminates on Vriesendorp's cosmology of symbols; the novelist and artist Douglas Coupland writes on the pathology of collecting; Beatriz Colomina re-treads the 'delirious' 1970s in New York; and Rem and Charlotte Koolhaas reframe the domestic environment that has been both the family home and Vriesendorp's studio archive for 30 years.