Wackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments.
Wackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martin Wackernagel was professor emeritus of Art History at Münster University (Westfalen).
Inhaltsangabe
Translator's Acknowledgments Translator's Introduction Abbreviations Author's Preface Author's Introduction PART I The Commissions CHAPTER 1 Great Projects and Work on Them from 1420 to 1530 * The Duomo and Baptistery * The Church and Convent of Santa Maria Novella * The Palazzo Vecchio CHAPTER 2 Sculptural Commissions * Sculpture for Church Buildings * Sculpture for Domestic Buildings CHAPTER 3 Painting Commissions * Wall Painting and Stained Glass in the Interior of Churches and Convent Buildings * Panel Painting in Sacred Settings * Banners and Vestments * Paintings in Domestic Interiors * Household Paintings on Wood and Canvas * Painting on the Exterior of Buildings and Throughout the Cityscape CHAPTER 4 Artistic Participation in the Staging of Public Festivities and Spectacles PART II The Patrons CHAPTER 5 The City Government and the Guilds CHAPTER 6 Private Patronage in the Early and Mid-Quattrocento * Representatives of the First Stage of the Early Renaissance * Giovanni Rucellai and Cosimo de' Medici * Cosimo’s Sons, Piero and Giovanni de' Medici Attitudes and Forms of Patronage CHAPTER 7 Lorenzo Magnifico, Piero di Lorenzo, and Lorenzo di Pierfrancesco de’ Medici CHAPTER 8 Patrons from the Medici Circle in Florence and the Netherlands: the Sassetti, Portinari, Tornabuoni, Filippo Strozzi, and Others CHAPTER 9 Patrons of the High Renaissance and Extra-Florentine Commissioners and Collectors CHAPTER 10 The General Attitude toward Art: The Public and the Artist PART III The Artist’s Workshop and the Art Market CHAPTER 11 The Artist Class: Its Numerical Strength, Professional Organization, and Occupational Divisions CHAPTER 12 Studios and their Working Procedures * Living and Working Places and the Organization of Work: Master, Assistants, and Apprentices * The Process of Sculpture * The Painter's Working Procedure: Drawing * Execution of Panel and Wall Paintings * The New Generation of Artists: Training for Apprentices and Assistants CHAPTER 13 Business Practices in the Workshop and Art Market * Price Formation and Forms of Payment * Economic Status of Artists CHAPTER 14 The Artists * Class Status and Class Consciousness * The Artist as a Person, his Social Circle, his Way of Life and Work * The Artistic Temperament and Range of Interests * The Artistic Type in Contemporary Society Author's Bibliography Translator's Bibliography Index
Translator's Acknowledgments Translator's Introduction Abbreviations Author's Preface Author's Introduction PART I The Commissions CHAPTER 1 Great Projects and Work on Them from 1420 to 1530 * The Duomo and Baptistery * The Church and Convent of Santa Maria Novella * The Palazzo Vecchio CHAPTER 2 Sculptural Commissions * Sculpture for Church Buildings * Sculpture for Domestic Buildings CHAPTER 3 Painting Commissions * Wall Painting and Stained Glass in the Interior of Churches and Convent Buildings * Panel Painting in Sacred Settings * Banners and Vestments * Paintings in Domestic Interiors * Household Paintings on Wood and Canvas * Painting on the Exterior of Buildings and Throughout the Cityscape CHAPTER 4 Artistic Participation in the Staging of Public Festivities and Spectacles PART II The Patrons CHAPTER 5 The City Government and the Guilds CHAPTER 6 Private Patronage in the Early and Mid-Quattrocento * Representatives of the First Stage of the Early Renaissance * Giovanni Rucellai and Cosimo de' Medici * Cosimo’s Sons, Piero and Giovanni de' Medici Attitudes and Forms of Patronage CHAPTER 7 Lorenzo Magnifico, Piero di Lorenzo, and Lorenzo di Pierfrancesco de’ Medici CHAPTER 8 Patrons from the Medici Circle in Florence and the Netherlands: the Sassetti, Portinari, Tornabuoni, Filippo Strozzi, and Others CHAPTER 9 Patrons of the High Renaissance and Extra-Florentine Commissioners and Collectors CHAPTER 10 The General Attitude toward Art: The Public and the Artist PART III The Artist’s Workshop and the Art Market CHAPTER 11 The Artist Class: Its Numerical Strength, Professional Organization, and Occupational Divisions CHAPTER 12 Studios and their Working Procedures * Living and Working Places and the Organization of Work: Master, Assistants, and Apprentices * The Process of Sculpture * The Painter's Working Procedure: Drawing * Execution of Panel and Wall Paintings * The New Generation of Artists: Training for Apprentices and Assistants CHAPTER 13 Business Practices in the Workshop and Art Market * Price Formation and Forms of Payment * Economic Status of Artists CHAPTER 14 The Artists * Class Status and Class Consciousness * The Artist as a Person, his Social Circle, his Way of Life and Work * The Artistic Temperament and Range of Interests * The Artistic Type in Contemporary Society Author's Bibliography Translator's Bibliography Index
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