Focusing on W.B. Yeats's ideal of mutual support between the arts and on the cultural production of the Yeats circle members, Karen Brown explores the artistic relationships and outcome of Yeats's vision in five case studies. In so doing, the author makes use of primary materials and fresh archival evidence, and delves into a variety of media, including embroidery, print, illustration, theatre, costume design, poetry, and painting.
Focusing on W.B. Yeats's ideal of mutual support between the arts and on the cultural production of the Yeats circle members, Karen Brown explores the artistic relationships and outcome of Yeats's vision in five case studies. In so doing, the author makes use of primary materials and fresh archival evidence, and delves into a variety of media, including embroidery, print, illustration, theatre, costume design, poetry, and painting.
Karen E. Brown is an art historian and curator specializing in interdisciplinarity and visual culture. She has produced a number of publications on twentieth-century Irish art and literature, and is editor of Women's Contributions to Visual Culture, 1918-1939 (Ashgate, 2008). She is currently IRCHSS Postdoctoral Mobility Research Fellow, hosted between the History of Art and Architecture Departments of Trinity College, Dublin and the University of Cambridge.
Inhaltsangabe
Contents: Introduction W.B. Yeats and the Fraternité des Arts tradition The Dun Emer and Cuala industries during the Irish cultural revival W.B. Yeats, Norah McGuinness and Irish modernism The pictorialist poetics of Thomas MacGreevy Word and image relations in the later career of Jack Yeats Bibliography Index.
Contents: Introduction W.B. Yeats and the Fraternité des Arts tradition The Dun Emer and Cuala industries during the Irish cultural revival W.B. Yeats, Norah McGuinness and Irish modernism The pictorialist poetics of Thomas MacGreevy Word and image relations in the later career of Jack Yeats Bibliography Index.
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