"This is the first study of the relationship between French theater and war at a time of revolution and colonial violence. Drawing together theater and performance studies, literary close-reading, cultural, military and gender history, it provides holistic analysis of theater's engagement with military activity at a time of radical transformation"--
"This is the first study of the relationship between French theater and war at a time of revolution and colonial violence. Drawing together theater and performance studies, literary close-reading, cultural, military and gender history, it provides holistic analysis of theater's engagement with military activity at a time of radical transformation"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Logan J. Connors is Professor and Chair of the Michele Bowman Underwood Department of Modern Languages and Literatures at the University of Miami, where he also serves as Co-convener of the Interdisciplinary Research Group in Theatre and Performance Studies and Cooper Fellow in the College of Arts and Sciences.
Inhaltsangabe
List of illustrations Acknowledgments List of abbreviations Introduction: performance, revolution, and the military-theatrical complex 1. From tragédie nationale to pièce militaire: Pierre-Laurent de Belloy's Le Siège de Calais 2. Military masculinities, dramaturgical manipulation, and the desertion play 3. Performing on the periphery: Military-theatrical experiences at the Théâtre de la Marine (Brest) and the Comédie du Cap (Cap-Français) 4. Total theater for total war: military dramas and performances of the French revolution 5. Femmes soldats and militarized domesticity: women at war in French revolutionary theater Conclusion: the military-theatrical complex of revolutionary Saint-Domingue Bibliography Index.
List of illustrations Acknowledgments List of abbreviations Introduction: performance, revolution, and the military-theatrical complex 1. From tragédie nationale to pièce militaire: Pierre-Laurent de Belloy's Le Siège de Calais 2. Military masculinities, dramaturgical manipulation, and the desertion play 3. Performing on the periphery: Military-theatrical experiences at the Théâtre de la Marine (Brest) and the Comédie du Cap (Cap-Français) 4. Total theater for total war: military dramas and performances of the French revolution 5. Femmes soldats and militarized domesticity: women at war in French revolutionary theater Conclusion: the military-theatrical complex of revolutionary Saint-Domingue Bibliography Index.
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