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Short description/annotation
A collection of essays on the ability of drama and performance to empower communities.
Main description
Theatre and Empowerment examines the ability of drama, theatre, dance and performance to empower communities of very different kinds, and it does so from a multi-cultural perspective. The communities involved include poverty-stricken children in Ethiopia and the Indian sub-continent, disenfranchised Native Americans in the USA and young black men in Britain, victims of violence in South Africa and Northern Ireland, and a threatened agricultural town in Italy. The book asserts the value of performance as a vital agent of necessary social change, and makes its arguments through the close examination, from 'inside' practice, of the success - not always complete - of specific projects in their practical and cultural contexts. Practitioners and commentators ask how performance in its widest sense can play a part in community activism on a scale larger than the individual, 'one-off' project by helping communities find their own liberating and creative voices.
Table of contents:
Introduction Richard Boon and Jane Plastow; 1. The Wedding community play project: a cross-community production in Northern Ireland Gerri Moriarty; 2. Il Teatro Povero di Monticchiello, Italy Richard Andrews 4. 'What happened to you today that reminded you that you were a black man(?)33;': the process of exploring black British masculinities in performance Michael Macmillan; 5. Wielding the cultural weapon after apartheid: Bongani Linda's Victory Sonqoba Theatre Company, South Africa Stephanie Marlin-Curiel; 6. Dance and transformation: the Adugna Community Dance Theatre, Ethiopia Jane Plastow; 7. The day of mourning/Pilgrim Progress in Plymouth, USA: contesting processions: a report on performance, personification and empowerment Ricardo Villanueva; 8. South Asia's Child Rights Theatre for Development: the empowerment of children who are marginalised, disadvantaged and excluded Michael Etherton; 9. Theatre - a space for empowerment: celebrating Jana Sanskriti's experience in India Sanjoy Ganguly.
A collection of essays on the ability of drama and performance to empower communities.
Main description
Theatre and Empowerment examines the ability of drama, theatre, dance and performance to empower communities of very different kinds, and it does so from a multi-cultural perspective. The communities involved include poverty-stricken children in Ethiopia and the Indian sub-continent, disenfranchised Native Americans in the USA and young black men in Britain, victims of violence in South Africa and Northern Ireland, and a threatened agricultural town in Italy. The book asserts the value of performance as a vital agent of necessary social change, and makes its arguments through the close examination, from 'inside' practice, of the success - not always complete - of specific projects in their practical and cultural contexts. Practitioners and commentators ask how performance in its widest sense can play a part in community activism on a scale larger than the individual, 'one-off' project by helping communities find their own liberating and creative voices.
Table of contents:
Introduction Richard Boon and Jane Plastow; 1. The Wedding community play project: a cross-community production in Northern Ireland Gerri Moriarty; 2. Il Teatro Povero di Monticchiello, Italy Richard Andrews 4. 'What happened to you today that reminded you that you were a black man(?)33;': the process of exploring black British masculinities in performance Michael Macmillan; 5. Wielding the cultural weapon after apartheid: Bongani Linda's Victory Sonqoba Theatre Company, South Africa Stephanie Marlin-Curiel; 6. Dance and transformation: the Adugna Community Dance Theatre, Ethiopia Jane Plastow; 7. The day of mourning/Pilgrim Progress in Plymouth, USA: contesting processions: a report on performance, personification and empowerment Ricardo Villanueva; 8. South Asia's Child Rights Theatre for Development: the empowerment of children who are marginalised, disadvantaged and excluded Michael Etherton; 9. Theatre - a space for empowerment: celebrating Jana Sanskriti's experience in India Sanjoy Ganguly.