Theatre and Performance in East Africa looks at indigenous performances to unearth the aesthetic principles, sensibilities and critical framework that underpin African performance and theatre.
Theatre and Performance in East Africa looks at indigenous performances to unearth the aesthetic principles, sensibilities and critical framework that underpin African performance and theatre.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Osita Okagbue is a Professor of Theatre and Performance at Goldsmiths, University of London. Samuel Kasule is Professor in Postcolonial Theatre and Performance, University of Derby.
Inhaltsangabe
Chapter One Introduction Chapter Two The Abevugyi/Abasizi of Ankore (Uganda) and Rwanda: Praise Recitation Performance Chapter Three Identity Rituals of the Bamasaba and the Babukusu of Uganda and Kenya Chapter Four Bwola and Larakaraka of the Acholi of Northern Uganda Chapter Five Abadongo and Inanga Itinerant Musicians of Rwanda and Uganda Chapter Six Gacaca: Performance and Nation Chapter Seven Conclusion Bibliography Glossary
Chapter One Introduction; Chapter Two The Abevugyi/Abasizi of Ankore (Uganda) and Rwanda: Praise Recitation Performance; Chapter Three Identity Rituals of the Bamasaba and the Babukusu of Uganda and Kenya; Chapter Four Bwola and Larakaraka of the Acholi of Northern Uganda; Chapter Five Abadongo and Inanga Itinerant Musicians of Rwanda and Uganda; Chapter Six Gacaca: Performance and Nation; Chapter Seven Conclusion; Bibliography; Glossary
Chapter One Introduction Chapter Two The Abevugyi/Abasizi of Ankore (Uganda) and Rwanda: Praise Recitation Performance Chapter Three Identity Rituals of the Bamasaba and the Babukusu of Uganda and Kenya Chapter Four Bwola and Larakaraka of the Acholi of Northern Uganda Chapter Five Abadongo and Inanga Itinerant Musicians of Rwanda and Uganda Chapter Six Gacaca: Performance and Nation Chapter Seven Conclusion Bibliography Glossary
Chapter One Introduction; Chapter Two The Abevugyi/Abasizi of Ankore (Uganda) and Rwanda: Praise Recitation Performance; Chapter Three Identity Rituals of the Bamasaba and the Babukusu of Uganda and Kenya; Chapter Four Bwola and Larakaraka of the Acholi of Northern Uganda; Chapter Five Abadongo and Inanga Itinerant Musicians of Rwanda and Uganda; Chapter Six Gacaca: Performance and Nation; Chapter Seven Conclusion; Bibliography; Glossary
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