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Provides fresh perspectives on the early modern public as an audience trained by theatre. Focusing on the period 1642-1660, it offers a new take on the public of the English Revolution and fills in important blanks in the history of the English stage for theatre and literary scholars and historians.

Produktbeschreibung
Provides fresh perspectives on the early modern public as an audience trained by theatre. Focusing on the period 1642-1660, it offers a new take on the public of the English Revolution and fills in important blanks in the history of the English stage for theatre and literary scholars and historians.
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Autorenporträt
Katrin Beushausen is an independent historian and theatre scholar, and an affiliate of the Freie Universität Berlin, where she has taught on theatricality, political performance and theatrical publics. Parallel to her academic career, she works as a political campaigner and explores the relation between theatre and the public through site-specific performance projects in the public sphere.