Introduction Acting in the American Tradition Acting and the New Stagecraft
by Walter Pritchard Eaton The Place of the Actor in the New Movement
by Claude King Billets doux
by Stark Young Paul Muni: a Profile and a Self-Portrait
by Morton Eustis Margaret Sullavan
by John Van Druten Comedienne from Radcliffe: Josephine Hull
by William Lindsay Gresham Laurette Taylor
by Norris Houghton Seven Interviews in Search of Good Acting Off-Broadway
by Aimee Scheff That Wonderful Deep Silence
by Shelley Winters Shakespeare and the American Actor
by John Houseman Geraldine Page
the Irony of a Legend
by Joseph Carroll Jason Robards
Jr
by John Keating George C. Scott
by Jack Balch Maureen Stapleton
by Gilbert Millstein Dear Diary
by Hume Cronyn Julie Harris
by John Keating The British Legacy A Crux in English Acting
by Alastair Cooke Acting in My Time
by St. John Irvine An Artist's Apprenticeship
by John Gielgud The Gielgud Macbeth
by Ashley Dukes John Gielgud
by Alan Dent The Actor as Biographer: Wilfred Lawson
by Rosamund Gilder Gertrude Lawrence
by Theodore Strauss The Oliviers
by Sewell Stokes Sir Laurence and Larry
by Alan Pryce-Jones Shaw and the Actor: Rex Harrison and SiobhÌÁn McKenna on Their Roles An Actor Stakes His Claim
by Cedric Hardwicke Albert Finney
by Audrey Williamson Foreign Modes of Performance How Reinhardt Works with His Actors
by Gertrud Eysoldt The Month of Duse (excerpts)
by Kenneth Macgowan Eleonora Duse
by F. Bruno Averardi Giovanni Grasso
by Stark Young Mei Lan Fang
by Stark Young The Acting of the Abbey Theatre
by Andrew J. Stewart The Actor and the Revolution
by Pavel Markov Child of Silence
by Jean-Louis Barrault Louis Jouvet
the Triumph of Deceit
by Monroe Stearns Lotte Lenya
by David Beams Stanislavsky and His Followers Stanislavsky's Speech to His Players Perspective on Character Building
by Konstantin Stanislavsky Fundamentals of Acting
by Richard Boleslawski An Actor Prepares: a Comment on Stanislavski's Method
by John Gielgud An Actor Prepares: Comments on Stanislavski's Methods
by Robert Sherwood
Harold Clurman and Norris Houghton The Group Theatre in Its Tenth Year
by John Gassner The Actor's Lab
by Dwight Thomas and Mary Guion Griepenskerl Past Performance
by Lee Strasberg An Actor Must Have 3 Selves
by Michael Chekhov A Study of Actors Studio
by Maurice Zolotow A Point of View and a Place to Practice
by Robert Lewis Wanted: More Stars
Less Method
by Sherman Ewing The Actor and His Role The Actor Attacks His Part: Lynne Fontanne and Alfred Lunt A Play in the Making: The Lunts Rehearse Amphritryon 38
by Morton Eustis The Actor Attacks His Part: Katherine Cornell The Actor Attacks His Part: Burgess Meredith The Dancing Actor Attacks His Part: Fred Astaire The Singing Actress Attacks Her Part: Lotte Lehman Great Roles Reborn: Bette Davis Tells How Regina
the Old Maid and Miss Moffatt Came to the Screen
by Roman Bonen Technical Matters The Voice in the Theatre
by Stark Young Illusion in Acting
by Stark Young The Lazy Actor
by John Shand Type-casting the 8th Deadly Sin
by Edith Isaacs The Moribund Craft of Acting
by Cedric Hardwicke Speak the Speech
I Pray You
by John Gielgud Notes on Film Acting
by Hume Cronyn The Actor as Thinker
by Eric Bentley GLOSSARY OF PROPER NAMES
