Pavis analyses the political and aesthetic consequences of cultures meeting at the crossroads of theatre, looking at productions including Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust.
Pavis analyses the political and aesthetic consequences of cultures meeting at the crossroads of theatre, looking at productions including Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust.
Preface 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY 5 THEATRE AND THE MEDIA: SPECIFICITY AND INTERFERENCE 6 TOWARD SPECIFYING THEATRE TRANSLATION 7 DANCING WITH FAUST: REFLECTIONS ON AN INTERCULTURAL MISE EN SCÈNE BY EUGENIO BARBA 8 INTERCULTURALISM IN CONTEMPORARY MISE EN SCÈ NE: THE IMAGE OF INDIA IN THE MAHABHARATA THE INDIADE TWELFTH NIGHT AND FAUST Index
Preface 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY 5 THEATRE AND THE MEDIA: SPECIFICITY AND INTERFERENCE 6 TOWARD SPECIFYING THEATRE TRANSLATION 7 DANCING WITH FAUST: REFLECTIONS ON AN INTERCULTURAL MISE EN SCÈNE BY EUGENIO BARBA 8 INTERCULTURALISM IN CONTEMPORARY MISE EN SCÈ NE: THE IMAGE OF INDIA IN THE MAHABHARATA THE INDIADE TWELFTH NIGHT AND FAUST Index
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