Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art, re-theorizing the exhibition as a dynamic context in which established traditions of display and performance interact.
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art, re-theorizing the exhibition as a dynamic context in which established traditions of display and performance interact.
Georgina Guy is Lecturer in Theatre and Performance in the Department of Drama and Theatre at Royal Holloway, University of London, UK.
Inhaltsangabe
Introduction: Displaying Performance 1. Performer & Exhibit: Theatrical Conditions 2. Theatre & Gallery: Turning Away From Performance 3. Visitor & Performer: The Return of the Relational 4. Gesture & Object: Digital Display and Arrested Attention. Conclusion: Final Movement
Introduction: Displaying Performance 1. Performer & Exhibit: Theatrical Conditions 2. Theatre & Gallery: Turning Away From Performance 3. Visitor & Performer: The Return of the Relational 4. Gesture & Object: Digital Display and Arrested Attention. Conclusion: Final Movement
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309