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Theatre Fandom brings together a range of discussions from leading international fan and performance studies scholars, tracking key case studies of theatre fans across different eras, performance forms, and cultures. The contributors emphasize the importance of considering theatrical elements such as pleasure, engagement, allure, enjoyment, and love. They illustrate how leveraging fan enthusiasm can foster greater and more meaningful participation in the cultural industries, potentially guiding us towards a thriving post-pandemic future for theatre.

Produktbeschreibung
Theatre Fandom brings together a range of discussions from leading international fan and performance studies scholars, tracking key case studies of theatre fans across different eras, performance forms, and cultures. The contributors emphasize the importance of considering theatrical elements such as pleasure, engagement, allure, enjoyment, and love. They illustrate how leveraging fan enthusiasm can foster greater and more meaningful participation in the cultural industries, potentially guiding us towards a thriving post-pandemic future for theatre.
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Autorenporträt
Kirsty Sedgman is doctor of audiences and senior lecturer in theatre at the University of Bristol. She is author of On Being Unreasonable: Breaking the Rules and Making Things Better. She lives in Bristol, United Kingdom. Francesca Coppa is professor of English, theatre, and film studies at Muhlenberg College. She is author of The Fanfiction Reader: Folk Tales for the Digital Age. She lives in New York City. Matt Hills is honorary professor at the University of Bristol and former professor of fandom studies at the University of Huddersfield. He is author of Fan Cultures. Hills lives in Manchester, United Kingdom.