D. Radosavljevic

Theatre-Making

Interplay Between Text and Performance in the 21st Century

• Gebundenes Buch

Produktbeschreibung

Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world.

Produktdetails

• Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-0-230-34310-8
• 2013
• Seitenzahl: 275
• Erscheinungstermin: 24. Juni 2013
• Englisch
• Abmessung: 226mm x 142mm x 17mm
• Gewicht: 482g
• ISBN-13: 9780230343108
• ISBN-10: 0230343104
• Artikelnr.: 37743431

Autorenporträt

Duka Radosavljevic is Lecturer of Drama and Theatre Studies at the University of Kent, UK. She has previously worked as the dramaturg at the Northern Stage ensemble, education practitioner at the Royal Shakespeare Company and she regularly reviews for The Stage Newspaper. Her collection of interviews The Contemporary Ensemble was published in 2013.

Inhaltsangabe

Introduction 1. Staging a Play: The Problems of Page and Stage 2. From Devising to Adaptation 3. New Writing in the 21st Century 4. Verbatim 5. Relational New Works Conclusion Bibliography Appendix 1: Simon Stephens - Interview Appendix 2: Philip Ralph - Interview Appendix 3: Tim Crouch - Interview

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Introduction 1. Staging a Play: The Problems of Page and Stage 2. From Devising to Adaptation 3. New Writing in the 21st Century 4. Verbatim 5. Relational New Works Conclusion Bibliography Appendix 1: Simon Stephens - Interview Appendix 2: Philip Ralph - Interview Appendix 3: Tim Crouch - Interview

Rezensionen

"Theatre-Making puts to rest some outdated binaries between text-oriented and "alternative" approaches. It is subtle in exploring the complexities and interrelationships of different modes of practise, and carefully attends to how apprently similar practises have evolved in different areas and traditions. This volume, which charts the history and dynamics of how practises emerge and overlap, will be invaluable to teachers and students of contemporary theatre." - Greath White, Central School of Speech and Drama, University of London, UK